THE HYDROGEN SONATA

Addition to Banks’ wonderful space-opera series (without the middle initial, he also writes impressive mainstream novels) about the far-future galactic Culture (Surface Detail, 2010, etc.), a liberal-anarchic, multispecies civilization guided and sustained, more or less invisibly, by Minds, artificial intelligences that take such physical forms as spaceships and habitats.

Vastly more intelligent than humans, millions of times faster and mostly benevolent, Minds are truly godlike entities. (Asked “Is this what gods would actually be like?” Banks replied: “If we’re lucky.”) Now, the Gzilt civilization, an almost perversely peaceful military society whose precepts arise from the Book of Truth, an ancient tome containing technological and intellectual predictions nearly all of which have proved correct, are preparing to Sublime, or vanish, into a set of higher dimensions where existence is thought to be almost infinitely rich and complex. As the Gzilt make their preparations, several rather primitive scavenger species gather nearby (one ship comes into orbit, as Banks puts it, with the “warp-engine equivalent of loud clanks and clouds of black smoke”), ready to grab whatever goodies the Gzilt leave behind. But then, a sudden, devastating attack destroys the Gzilt Regimental High Command. The reason seems to involve a shattering secret about the Book of Truth and the establishment of the Culture 10,000 years ago. One of the few survivors, reserve Lt. Cmdr. Vyr Cossont, a bewildered four-armed musician with, self-confessedly, no military skills, receives orders to locate and question Ngaroe QiRia, possibly the Culture’s oldest living person and the only one who might have some idea why the Book of Truth is so important and what really happened 10 millennia ago. Problem is, even assisted by Berdle, a powerful Mind avatar, and an erratic battle android who’s convinced everything’s merely a simulation, can she survive long enough to complete her mission? Scotland-resident Banks’ Culture yarns, the science-fiction equivalent of Terry Pratchett’s Discworld novels, brim with wit and wisdom, providing incomparable entertainment, with fascinating and highly original characters, challenging ideas and extrapolations, and dazzling action seamlessly embedded in a satirical-comedy matrix.

Sheer delight.

Pub Date: Oct. 9, 2012

ISBN: 978-0-3162-1237-3

Page Count: 496

Publisher: Orbit/Little, Brown

Review Posted Online: Sept. 2, 2012

Kirkus Reviews Issue: Sept. 15, 2012

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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A breezy and fun contemporary fantasy.

THE HOUSE IN THE CERULEAN SEA

A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.

Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.

A breezy and fun contemporary fantasy.

Pub Date: March 17, 2020

ISBN: 978-1-250-21728-8

Page Count: 352

Publisher: Tor

Review Posted Online: Nov. 11, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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