In January 1986 Dal° summoned Gibson to a meeting at which he exhorted author to make it clear in the forthcoming second volume of his biography of Gabriel Garc°a Lorca that the poet had loved Dal° sexually. The stories Dal° told him provided the catalyst for this book. The task of telling Dal°’s life is not easy; the artist was a skilled dissembler who cultivated his myth and wrote an autobiography, The Secret Life of Salvador Dal°, as, Gibson suggests, a means of forestalling “meddlers.” Gibson himself is a talented biographer with a detective’s soul. He plunges into Dal°’s correspondence and diaries, exposes their half-truths and falsehoods, and dares to suggest that Dal° was driven by a profound sense of shame. In the artist’s early years, shame reduced him to furiously blushing agony and made even the most cursory social interactions difficult. Playing out this psychoanalytic theme, Gibson explores the repercussions throughout his life and his art. Sexual anxiety not only shaped the artists’s relationships—including those with Lorca and Gala, the artist’s wife—but also provided a lexicon of imagery in Dal°’s wildly inventive Surrealist paintings. Gibson never lets his psychoanalytic interpretation overpower his narrative, however, and skillfully manages to maintain control of the story even as the characters in Dal°’s life multiply, divide, and become increasingly successful and strange. Wisely, he compresses the latter part of Dal°’s life, and expends most of his authorial energy on the first third, a period of time in which Dal° completed his most original, visually dissonant work and collaborated with both Lorca and Luis Bu§uel. In spite of his social agonies, Dal°’s shame—if indeed that’s what it was—powered some of the most outrageous and compelling paintings of the early 20th century. Mastering vast quantities of information, Gibson succeeds in evoking not only Dal°’s life, but also the intellectual and aesthetic milieu of a close-knit group of artists and writers whose work shocked the world. (30 color illustrations, b&w illustrations)
Pub Date: Nov. 1, 1998
ISBN: 0-393-04624-9
Page Count: 800
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1998
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
