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THE SHAMEFUL LIFE OF SALVADOR DALI

In January 1986 Dal° summoned Gibson to a meeting at which he exhorted author to make it clear in the forthcoming second volume of his biography of Gabriel Garc°a Lorca that the poet had loved Dal° sexually. The stories Dal° told him provided the catalyst for this book. The task of telling Dal°’s life is not easy; the artist was a skilled dissembler who cultivated his myth and wrote an autobiography, The Secret Life of Salvador Dal°, as, Gibson suggests, a means of forestalling “meddlers.” Gibson himself is a talented biographer with a detective’s soul. He plunges into Dal°’s correspondence and diaries, exposes their half-truths and falsehoods, and dares to suggest that Dal° was driven by a profound sense of shame. In the artist’s early years, shame reduced him to furiously blushing agony and made even the most cursory social interactions difficult. Playing out this psychoanalytic theme, Gibson explores the repercussions throughout his life and his art. Sexual anxiety not only shaped the artists’s relationships—including those with Lorca and Gala, the artist’s wife—but also provided a lexicon of imagery in Dal°’s wildly inventive Surrealist paintings. Gibson never lets his psychoanalytic interpretation overpower his narrative, however, and skillfully manages to maintain control of the story even as the characters in Dal°’s life multiply, divide, and become increasingly successful and strange. Wisely, he compresses the latter part of Dal°’s life, and expends most of his authorial energy on the first third, a period of time in which Dal° completed his most original, visually dissonant work and collaborated with both Lorca and Luis Bu§uel. In spite of his social agonies, Dal°’s shame—if indeed that’s what it was—powered some of the most outrageous and compelling paintings of the early 20th century. Mastering vast quantities of information, Gibson succeeds in evoking not only Dal°’s life, but also the intellectual and aesthetic milieu of a close-knit group of artists and writers whose work shocked the world. (30 color illustrations, b&w illustrations)

Pub Date: Nov. 1, 1998

ISBN: 0-393-04624-9

Page Count: 800

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1998

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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