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THE WOUNDED

AND OTHER STORIES ABOUT SONS AND FATHERS

A British writer's first collection of stories, set in a newly independent India, contemporary England, and the American South. In the title story, told from a mother's point of view, a teenaged son has been taken over with alcoholic binges; he vomits; he loses all cognizance of himself. As we learn more of the father, we find that he, too, is an alcoholic, a chain-smoker, and not far from death. The piece ends on a note of misogyny and violent helplessness, as if to imply like father, like son. Alcoholism, violence, class and racial prejudice figure throughout these stories, which are often garish and melodramatic, like the tale of a Britisher gone completely to seed in India (``Bombay Morning''). Leask makes it clear that he's brought his woes upon himself. The same self-destructive impulse grows a bit maudlin in ``Smoking Section,'' about a man who can't pay his bill at a sleazy diner. But in ``Daddy's Eyes'' and the fine ``Piggybank,'' Leask offers a more reflective view: in the first, an overworked, unhappily married father, whose own childhood was miserable, manages nonetheless to enter his small son's world with empathy and love; in the second, a young boy views his repulsive family's bankruptcy and abusive ways with the determination to do better. The question in many of these stories may be whether alcohol has led to unpleasant behavior, or whether these are unpleasant people who become even more unpleasant when they drink. Accomplished, but to trade upon some mythic eternal wound among men seems facile. The women here are no better.

Pub Date: June 1, 1992

ISBN: 0-89823-139-6

Page Count: 232

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1992

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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