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ODD BIRDS

Animal lovers in particular will find much to savor in this endearing, breezy memoir from a young, enterprising Hollywood...

A TV actor reflects on his life (so far) and a love of birding.

Noting that at 30, he is too young to pen a memoir, Harding, known for his role as Ezra Fitz on ABC’s Pretty Little Liars, instead compiles an affable collection of stories, anecdotes, and memories of his time in Hollywood and his affinity for bird-watching. Though they don’t appear on the West coast, cardinals are plentiful in Virginia, where Harding grew up in a military family, and he writes fondly of how these birds still bring serenity and a sense of protectiveness for him. The author connects many of his Los Angeles adventures to his experience as an avid birder and a lover of the natural world around him, though as an adolescent, he hid his unconventional interest out of fear of being ostracized by classmates. Harding also explores his childhood penchant for tantrums and troublemaking; exhausting a steady stream of babysitters, he behaved in a manner that starkly contrasted with his “practically angelic” older sister, Sarah. Elsewhere, tales of acting classes at the Carnegie Mellon School of Drama and a bold, postgraduate, cross-country move to Hollywood after driving for four days demonstrate Harding’s sheer dedication to acting. Fledgling actors will appreciate chapters on the craft of acting, the author's acquisition of the TV role that established him in LA, and the mechanics of on-set scenes. Thoughts on mockingbirds, woodpeckers, the massive California condor, and Harding’s palpable excitement over an arctic loon “rare-bird alert” are equally fervent. The author deftly interweaves both acting and nature loving into a unique group of memories and experiences. Harmless and pleasantly innocuous, the narrative stays in the safe zone yet is revealing enough to leave fans and birders satisfied.

Animal lovers in particular will find much to savor in this endearing, breezy memoir from a young, enterprising Hollywood actor.

Pub Date: May 2, 2017

ISBN: 978-1-250-11707-6

Page Count: 272

Publisher: St. Martin's

Review Posted Online: March 6, 2017

Kirkus Reviews Issue: March 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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