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ELMWOOD

A fine introduction to Elmwood, which horror fans will find a nice place to visit.

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In Karraker’s horror novel, an asylum inmate may hold the key to unsolved murders committed 20 years ago.

In 1999, FBI Special Agent David Nolan visits Green Elm Home to interview Tommy Wilford about a series of unsolved murders in Elmwood, Vermont, which Wilford may have witnessed in 1978, when he was 8 years old. It’s just a formality, Nolan reassures Wilford’s attending physician: “It’s the kind of nothing job that comes up when someone wants a promotion.” Wilford’s story, which involves tentacled monsters, is the same testimony that got him committed long ago, but he’s sticking with it: “I’d say I know a lot of things,” he eerily says. The narrative extends all the way back to 1968 in Vietnam (“A lot of messed up stuff happened there,” Wilford notes. “It’s no wonder some of it followed people home”) and is told from a variety of perspectives, including Wilford’s childhood classmates Elise Smithfield and Will Ross,who survived an initial attack that took the lives of two of Tommy’s childhood tormentors. Are these the “fantastic ravings of a certified lunatic,” as Nolan initially characterizes them, or, in classic horror tradition, is something still out there? It’s too soon to determine if Elmwood will become a destination for horror fans on a par with horror master Stephen King’s Castle Rock, Maine, but in his debut novel, Karraker does an effective job of scene-setting and worldbuilding. Several elements will be familiar to King fans, including childhood horrors, social outcasts and bullies, a fearsome supernatural entity, and gruesome deaths. The various pieces of the puzzle don’t fit together perfectly; how Wilford knows what went on in other people’s homes, for example, is a mystery. However, the book evokes palpable dread and terror, as when one character is described as “frozen in fear, the sanity vanishing from her eyes.”

A fine introduction to Elmwood, which horror fans will find a nice place to visit.

Pub Date: Sept. 1, 2023

ISBN: 9798987847909

Page Count: 292

Publisher: Gray River Publishing

Review Posted Online: July 24, 2023

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THE ENDING WRITES ITSELF

High-concept and highly entertaining.

Fiction writers compete to finish a famous author’s abandoned novel.

Seven writers, all but one published, have received invitations to spend the weekend with crime novelist Arthur Fletch, the world’s most successful author, on his private island off the coast of Scotland. When they arrive at his cliffside castle, they expect to take part in one of the literary salons for which Fletch is famous; instead, they’re greeted by his agent, who informs them that Fletch is dead. Why has there been nothing about this in the press? Because “there are some…loose ends that must be tied up first.” Fletch has left his eagerly anticipated final novel unfinished, so the agent has summoned the writers to the island for a competition: One of them will get to complete Fletch’s book. As premises go, this one’s a humdinger, courtesy of fantasy writer V.E. Schwab and YA author Cat Clarke, here joining forces as Clarke. The story contains an amusing throughline about the indignity of being an uncelebrated novelist; as the agent tells the assembled writers, the contest winner will receive both cash and something equally valuable: “a way out of the midlist.” The novel’s wandering perspective allows each writer to vent their private frustrations, especially with the publishing industry and with the book world’s genre hierarchy (the YA writer among the competitors understands that she and the romance writer are “supposed to support each other against the general snobbishness of the other genres”). Readers who have come for the crimes and the twists, both of which are plentiful, might grow impatient with all the characters’ backstories, but these readers will likely warm to the shop talk, which at its funniest plays like a kvetchy midlist-writers’ support group.

High-concept and highly entertaining.

Pub Date: April 7, 2026

ISBN: 9780063444614

Page Count: 352

Publisher: Harper/HarperCollins

Review Posted Online: Jan. 19, 2026

Kirkus Reviews Issue: Feb. 15, 2026

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THE KEEPER

Great crime fiction.

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An apparent suicide threatens to destroy an Irish farm town in the final volume of French’s Cal Hooper trilogy.

In the fictional western Ireland townland of Ardnakelty, “there’s a girl going after missing.” Soon young Rachel Holohan is found dead in the river. Shortly before, she had stopped at Lena Dunne’s home, and nothing had seemed amiss. The medical examiner determines she’d swallowed antifreeze, and he presumes she then fell from a bridge into the water. The medical examiner and the town agree she’d died by suicide. But there is far more to the plot: 16-year-old Trey Reddy thinks Tommy Moynihan murdered Rachel. Moynihan doles out favors and punishments to the local townsfolk, who know it’s best not to cross him. Now rumors spread that Moynihan wants land and has a secret plan to forcibly buy up parcels from the locals. A factory will be built, or a great big data center, or who knows what. If Tommy’s son, Eugene, can get elected to the local council, then compulsory purchase orders for land will follow, and the farms will disappear. Eugene, who’d been romantically involved with Rachel, is wonderfully described as “on the weedy edge of good-looking” and just fine as long as you “don’t have high expectations in the way of chins.” Lena is engaged to the American Cal Hooper, an ex-cop turned woodworker. They are “more or less raising” Trey, and these three core characters are drawn into the mystery of Rachel’s death and may have to face the looming clouds of civilizational change for Ardnakelty. Lena is chastised for “asking your wee questions all round the townland,” and Trey wants to quit school, against Cal’s advice. Finally, the story’s best line: “You can’t go killing people just because they deserve it.”

Great crime fiction.

Pub Date: March 31, 2026

ISBN: 9780593493465

Page Count: 496

Publisher: Viking

Review Posted Online: Dec. 26, 2025

Kirkus Reviews Issue: Feb. 1, 2026

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