Lovely art comes with unusual perspectives on familiar tales about lions, mice, and trickster foxes.
Messages both overt and hidden in the life and preserved wisdom of an enslaved storyteller.
Yes, Lendler acknowledges, Aesop’s fables are generally interpreted as “simple lessons on virtue and good values,” but on closer looks, “many of them are actually practical advice on how to survive in a world in which some have power and some do not.” As evidence, he selects 13 to retell—most (“The Ant and the Grasshopper,” “The Boy Who Cried Wolf”) well known, others, such as “The Donkey and the Lapdog” and “The Lion and the Statue,” less so. Some are embedded in an imagined account of Aesop’s life based on legends from later centuries. In this narrative, the child of enslaved parents learns to speak “in code,” impresses one master but is sold to a second, and, after some years, wins freedom at last with the story of a wolf who would rather go hungry than be collared like a dog. Zagarenski places light-skinned, delicately expressive humans and graceful animals (the latter often in anthropomorphic dress and postures) into golden-toned settings. The book is highlighted by a lyrical trio of climactic freedom scenes in which morals, titles, and lines from fables become decorative elements, swirling exuberantly through dense crowds of figures. Morals printed in gold add further sumptuous notes to the tersely rendered fables.
Lovely art comes with unusual perspectives on familiar tales about lions, mice, and trickster foxes. (afterword, bibliography) (Folktales. 7-10)Pub Date: March 10, 2020
ISBN: 978-1-328-58552-3
Page Count: 64
Publisher: HMH Books
Review Posted Online: Jan. 20, 2020
Kirkus Reviews Issue: Feb. 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An emotional entry point to a larger, necessary discussion on this complex and difficult subject.
The paths of four migrant children from different Central American countries cross as they enter Mexico, and together they continue their journey to the United States.
Though their reasons for undertaking the perilous journey are different, their hopes are not: They all hope for asylum in the U.S. Ten-year-old Alessandra, from Guatemala, hopes to reunite with her mother, who left four years ago. Thirteen-year-old Laura and her 7-year-old brother, Nando, from El Salvador, are going to live with relatives in the U.S. And 14-year-old Rodrigo, from Honduras, will try to join his parents in Nebraska rather than join a local gang. Along the way they encounter danger, hunger, kindness from strangers, and, most importantly, the strength of friendship with one another. Through the four children, the book provides but the barest glimpse into the reasons, hopes, and dreams of the thousands of unaccompanied minors that arrive at the U.S.–Mexico border every year. Artist Guevara has added Central American folk art–influenced details to her illustrations, giving depth to the artwork. These embellishments appear as line drawings superimposed on the watercolor scenes. The backmatter explains the reasons for the book, helping to place it within the larger context of ongoing projects at Baylor University related to the migration crisis in Central America.
An emotional entry point to a larger, necessary discussion on this complex and difficult subject. (Picture book. 7-10)Pub Date: July 7, 2020
ISBN: 978-1-64442-008-9
Page Count: 40
Publisher: Six Foot Press
Review Posted Online: June 2, 2020
Kirkus Reviews Issue: June 15, 2020
A picture book worth reading about a historical figure worth remembering.
An honestly told biography of an important politician whose name every American should know.
Published while the United States has its first African-American president, this story of John Roy Lynch, the first African-American speaker of the Mississippi House of Representatives, lays bare the long and arduous path black Americans have walked to obtain equality. The title’s first three words—“The Amazing Age”—emphasize how many more freedoms African-Americans had during Reconstruction than for decades afterward. Barton and Tate do not shy away from honest depictions of slavery, floggings, the Ku Klux Klan, Jim Crow laws, or the various means of intimidation that whites employed to prevent blacks from voting and living lives equal to those of whites. Like President Barack Obama, Lynch was of biracial descent; born to an enslaved mother and an Irish father, he did not know hard labor until his slave mistress asked him a question that he answered honestly. Freed by the Emancipation Proclamation, Lynch had a long and varied career that points to his resilience and perseverance. Tate’s bright watercolor illustrations often belie the harshness of what takes place within them; though this sometimes creates a visual conflict, it may also make the book more palatable for young readers unaware of the violence African-Americans have suffered than fully graphic images would. A historical note, timeline, author’s and illustrator’s notes, bibliography and map are appended.
A picture book worth reading about a historical figure worth remembering. (Picture book biography. 7-10)Pub Date: April 1, 2015
ISBN: 978-0-8028-5379-0
Page Count: 50
Publisher: Eerdmans
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
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