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WAR! WHAT IS IT GOOD FOR?

CONFLICT AND THE PROGRESS OF CIVILIZATION FROM PRIMATES TO ROBOTS

A disturbing, transformative text that veers toward essential reading.

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A profoundly uncomfortable but provocative argument that “productive war” promotes greater safety, a decrease in violence and economic growth.

Morris (Classics and History/ Stanford Univ.; Why the West Rules—for Now: The Patterns of History, and What They Reveal About the Future, 2010, etc.) begins with an account of a near nuclear disaster in 1983 and then proceeds with his thesis that “war has made the world safer.” He recognizes—and alludes continually to—the unpleasantness of his position but charges ahead into the valley of death. He uses the example of ancient Rome—its violent conquests ensured subsequent safety and improved lives for the survivors—then gives us a tour through world history, focusing on such things as the development of weapons and defenses. We learn why chariot fighting rose and fell, the problems of using elephants in battle, the significance of the horse, and the importance of gunpowder and ships, and we get some grim details—e.g., the use of the flaming fat of victims as an early Molotov cocktail. Drawing on the work of Jared Diamond and Steven Pinker and myriads of others, Morris relentlessly develops his thesis, which never decreases in discomfort, though it does become more convincing. Near the end, the author examines evolutionary biology and the balance between violence and cooperation in our rise from what he calls “globs” to the complicated creatures that we now are. Emerging also is his concept of the “globocop”—a country so powerful that it can police the world (to a point) and eventually move us toward “Denmark,” his metaphor for a peaceful, productive place. The author does a bit of crystal-balling at the end. Will there be robo-wars? Will the United States eventually tumble?

A disturbing, transformative text that veers toward essential reading.

Pub Date: April 15, 2014

ISBN: 978-0-374-28600-2

Page Count: 512

Publisher: Farrar, Straus and Giroux

Review Posted Online: Feb. 2, 2014

Kirkus Reviews Issue: Feb. 15, 2014

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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