A well-formed argument against the fashionably fascist thought that houses old wine in new skins.
An exploration of the arguably premier racist trope of our time.
“To be racist,” writes Kendi—author of How To Be an Antiracist (2019) and Stamped From the Beginning (2016)—“is to see peoples of color as eternal immigrants….To be racist is to see White people as eternal natives.” That much was implicit in the white supremacist chant heard in Charlottesville, Virginia, and elsewhere about “X will not replace us,” whether Jews, Muslims, immigrants, or what have you. As others have done, Kendi traces this “great replacement theory” to French writer Renaud Camus, who “trailblazed literary space for gay novelists and poets” but then—convinced that his largely rural region was being overrun by Africans and Arabs—elaborated what a predecessor called “the chain of ideas” to link unbridled immigration to a deliberate plot to make French whites a minority in their own country by a process of “ethnic substitution.” Camus’ favored terms for these newcomers—among them “‘colonizers,’ ‘occupiers,’ ‘criminals,’ and most of all “invaders’”—will sound familiar to anyone paying attention to statements made by President Trump. By Kendi’s account, the president is quite comfortable with racist ideology, courtesy in part of Steve Bannon, who once told a French audience to wear the name “racist” as “a badge of honor.” Of course, the usual ploy of racists is to deny being racist—but, Kendi adds, in Trump’s case an executive order actually turned the tables by defining antiracism as “divisive,” even as Trump railed against “anti-white racism” and dismantled federal DEI initiatives. The majority of GOP voters now subscribe to the great replacement theory, by Kendi’s account, led by politicians who are, in his opinion, nothing short of neo-Nazis in fact if not in name. The answer? For a start, Kendi urges, “nothing minimizes the draw of great replacement theory like radically improving societal conditions.”
A well-formed argument against the fashionably fascist thought that houses old wine in new skins.Pub Date: March 17, 2026
ISBN: 9780593978023
Page Count: 592
Publisher: One World/Random House
Review Posted Online: yesterday
Kirkus Reviews Issue: Jan. 15, 2026
SEEN & HEARD
A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.
Words that made a nation.
Isaacson is known for expansive biographies of great thinkers (and Elon Musk), but here he pens a succinct, stimulating commentary on the Founding Fathers’ ode to “life, liberty, and the pursuit of happiness.” His close reading of the Declaration of Independence’s second sentence, published to mark the 250th anniversary of the document’s adoption, doesn’t downplay its “moral contradiction.” Thomas Jefferson enslaved hundreds of people yet called slavery “a cruel war against human nature” in his first draft of the Declaration. All but 15 of the document’s 56 signers owned enslaved people. While the sentence in question asserted “all men are created equal” and possess “unalienable rights,” the Founders “consciously and intentionally” excluded women, Native Americans, and enslaved people. And yet the sentence is powerful, Isaacson writes, because it names a young nation’s “aspirations.” He mounts a solid defense of what ought to be shared goals, among them economic fairness, “moral compassion,” and a willingness to compromise. “Democracy depends on this,” he writes. Isaacson is excellent when explaining how Enlightenment intellectuals abroad influenced the founders. Benjamin Franklin, one of the Declaration’s “five-person drafting committee,” stayed in David Hume’s home for a month in the early 1770s, “discussing ideas of natural rights” with the Scottish philosopher. Also strong is Isaacson’s discussion of the “edits and tweaks” made to Jefferson’s draft. As recommended by Franklin and others, the changes were substantial, leaving Jefferson “distraught.” Franklin, who emerges as the book’s hero, helped establish municipal services, founded a library, and encouraged religious diversity—the kind of civic-mindedness that we could use more of today, Isaacson reminds us.
A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.Pub Date: Nov. 18, 2025
ISBN: 9781982181314
Page Count: 80
Publisher: Simon & Schuster
Review Posted Online: Aug. 29, 2025
Kirkus Reviews Issue: Oct. 1, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.
Portraits in a post-pandemic world.
After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.Pub Date: Oct. 7, 2025
ISBN: 9781250277589
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Aug. 1, 2025
Kirkus Reviews Issue: Sept. 1, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
