by Ilana Masad ‧ RELEASE DATE: Sept. 23, 2025
A dazzlingly original testament to companionship, curiosity, and faith in ourselves in times of fear and loneliness.
Three gripping narratives entwine as supernatural encounters and personal revelations transform lives in the 1960s and the present.
This transporting novel brings multiple times and places to life through the storytelling of a researcher called the Archivist, whose nongendered pronouns are deployed gracefully. They’re consumed by two troves of records, both beginning in 1961 but radically different in detail and tone. In one, Barney and Betty Hill, rational civil servants in an interracial marriage, are astonished to see a spaceship as they’re driving down a dark highway. The sighting—and the encounter that follows—alters the course of their lives as they become ambivalent public figures amid a rising din of UFO spotters and disbelievers. (The Archivist knows something about alien visitors, too, but is even more reluctant to claim the association.) Through the second set of historical files, the Archivist tracks the life of Phyllis Egerton, a young writer driven from home when her parents discover her romance with her best friend, Rosa. Her new life in Boston is thrilling—Masad paints an electric picture of Phyllis’ double life as a newspaper copy editor and a lesbian finding her people, sartorial style, and science-fiction writing voice—but necessarily clandestine, since this is the very real world of the ‘60s: Public homosexuality is a criminal act. We get Phyllis’ story firsthand through her yearning, then defiant, letters to Rosa. In contrast, the Archivist takes more liberties with Barney and Betty Hill’s story, since their records are less personal. Without apology, the historian fills in the gaps for the reader, telling us both the facts and their elisions or outright inventions. It’s an education—they know the histories of civil and gay rights, and from experience, they “have always felt drawn to those who are ridiculed, misunderstood, shamed.” Miraculously, Masad makes this dense braid of stories easy to follow, elegantly blending serpentine sentences, endearing and intimately observed characters, natural dialogue, and playful, generous asides to keep the reader in enthralled suspense.
A dazzlingly original testament to companionship, curiosity, and faith in ourselves in times of fear and loneliness.Pub Date: Sept. 23, 2025
ISBN: 9781639737000
Page Count: 304
Publisher: Bloomsbury
Review Posted Online: June 5, 2025
Kirkus Reviews Issue: July 15, 2025
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by Ilana Masad
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
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New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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