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‘OHANA MEANS FAMILY

An incredible book to share with every member of your ‘ohana.

Discover the importance of kalo in Hawaiian culture.

Opening below a single bowl of purple poi, the text begins, “This is the poi for our ‘ohana’s lū‘au.” Using a cumulative pattern, it expands on where poi comes from to create a broader picture of the Hawaii countryside with a pair of presumably Native Hawaiian children as focal characters. They watch as the kalo, or taro, is pounded into poi, then, as the cumulative rhyme moves backward, they help in the taro patches of mud and clear water where the plants grow. A close-up of the taro patch zooms out to reveal more people working in many patches and the river that feeds the land that has been passed down from generation to generation. Each new addition to the cumulative text highlights an essential element of Hawaiian values, such as the land, elders, family, and food. In this read-aloud, Loomis writes a beautiful homage to kalo, a cornerstone of the culture and livelihood of the Hawaiian people. The poetic text combines with Pak’s breathtaking illustrations to depict kalo’s embodiment of the strong connection between land, water, air, sun, and the people. With his layered, textured paintings, Pak creates both beautiful pictures of the kalo and stunning panoramas of the community. A note on kalo and poi, an author’s note, and a glossary are provided to explain the importance of the elements of this story.

An incredible book to share with every member of your ‘ohana. (Picture book. 4-8)

Pub Date: Feb. 4, 2020

ISBN: 978-0-8234-4326-0

Page Count: 40

Publisher: Neal Porter/Holiday House

Review Posted Online: Dec. 7, 2019

Kirkus Reviews Issue: Jan. 1, 2020

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LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

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HOW TO CATCH A WITCH

Not enough tricks to make this a treat.

Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.

Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)

Not enough tricks to make this a treat. (Picture book. 4-7)

Pub Date: Aug. 2, 2022

ISBN: 978-1-72821-035-3

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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