Intriguing journeys through ambiguous states of being.
These short stories, poems, and a novella explore surreal landscapes of emotions and relationships.
The first four parts of this collection each contain a short story followed by three related poems. The final section features a novella and a single poem. A sense of surrealism and uncertain identity underlies these pieces, as in the opening tale, “The Antonym of Flower is Wind,” which begins with a dreamlike image: “The swan that sleeps on people’s bellybuttons.” It’s offered by a young woman called Lorelei, who fascinates the narrator, but he eventually realizes that “something was leaving” inside her, going somewhere he can’t follow. Over the years, some things remind him of Lorelei: the harmonica, fireflies. In the narrator’s mailbox is a letter from Lorelei telling him: “You’re over there, over in the real world. I’m not there….You’d never find me.” He remembers her saying she can’t ever be human, and “in some ways, you’re just like me.” The accompanying poems use associated imagery; in “No Longer Human,” for example, “the fireflies float / then no longer glow / … / So you, too, / so warm and loving, may no longer stay.” In another story, “A Silent Anemone,” a man claims to be from Venus, and the narrator (who pretends to be deaf but isn’t) can’t help believing him. In other tales, characters transform themselves, confront death and evanescence, and look for the real and unreal within the mundane. In his book, Stone (I’m a Duck With Alligator Fingers, 2018) writes in a captivating magical realist vein. His images are dreamy, too, and often melancholic: A girl who tries to sail her ship to the moon discovers that “even in the myth, the moon failed.” Romance, or at least the promise of it, underlies many of these stories, with the mysterious embodied by an attractive young woman. A dream girl isn’t the freshest trope, but it’s complicated by an aura of unease or alienation. At times, the author overrelies on cultural touchstones, especially songs, to establish taste and coolness credentials (including “Another World” by Kinoko Teikoku; “The Dandelion Girl” by Robert F. Young; and Dalí’s The Persistence of Memory).
Intriguing journeys through ambiguous states of being.Pub Date: April 22, 2019
ISBN: 978-0-578-49758-7
Page Count: 190
Publisher: Time Tunnel Media
Review Posted Online: Sept. 9, 2019
Kirkus Reviews Issue: Oct. 15, 2019
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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