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AMONG THE LIVING AND THE DEAD

A TALE OF EXILE AND HOMECOMING ON THE WAR ROADS OF EUROPE

A highly polished memoir of enormous heart.

The Latvian world of her grandmother draws the writer, an American, back to the old country to re-create a vanished life between farm and war.

In her striking debut memoir, Verzemnieks (Creative Nonfiction/Univ. of Iowa), winner of a Pushcart Prize and a Rona Jaffe Writer’s Award, refashions the early life of her deceased grandmother Livija, who was born and raised on a farm in Gulbene, in eastern Latvia. She left her hometown to work in Riga as a bookkeeper and was subsequently caught up in the Soviet invasion and takeover of her country in World War II. Livija then left her homeland and came to the United States, where she was reunited with her soldier husband, who had been demobilized from the Latvian Legion, which was actually fighting for Nazi Germany against Russia. Livija and her family settled into the Latvian community of the former mill town of Tacoma, Washington. There, they raised their granddaughter, the author, after her parents got divorced and underwent mysterious crises, leaving the child in their care. The author became keenly aware of all aspects of the life Livija left behind, so much so that years later, when she actually visited her grandmother’s homestead and grew friendly with her great-aunt, she was able to re-create in great detail this vanished life. Verzemnieks beautifully evokes the sympathy between Livija and her young granddaughter and the subsequent acquaintance between the author, now grown and married herself, and her great-aunt, who reluctantly revealed painful episodes of her past, such as the day the Russians arrived at the end of the war, ransacked the farmhouse, and deported her sister to a labor camp in Siberia. With fluidity and nuance, the author smoothly incorporates Latvian history into her narrative as well as the quietly buried sins of the past, such as the Latvian men’s forced conscription to fight on the German side.

A highly polished memoir of enormous heart.

Pub Date: July 11, 2017

ISBN: 978-0-393-24511-0

Page Count: 288

Publisher: Norton

Review Posted Online: April 29, 2017

Kirkus Reviews Issue: May 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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