illustrated by Ingela Peterson Arrhenius ‧ RELEASE DATE: Sept. 4, 2018
Though this feels rather like a bound set of attractive animal-themed flashcards, it might be just right for keen young...
Tired of learning about the same-old, same-old “cat” and “rabbit”? Here’s an opportunity to meet 26 new animal friends.
Opening on a verso with the usual critters and a recto crammed with lesser-known species, an awkwardly rhyming introduction challenges readers to learn more about unusual animals. Abruptly, the book then transitions into a traditional ABC format with “A is for Alpaca,” presenting one letter and animal per page, a change that makes it read like an awkwardly stitched-together rhyming book and alphabet book. Its goal of broadening awareness of animal diversity is laudable, but with the creatures sporting only names and no other supporting information, readers might remain lost about what exactly is a “fossa” or a “quokka.” Thankfully, the book finds its hooves and paws with its graphically gorgeous design and illustrations. Showy, stylized animals achieve a delicate balance between cute yet realistic, and they look especially spiffy against sleekly patterned or richly saturated pastel backgrounds. Each double-page spread offers its own harmonious color combination, so the bright pink highlights and green-striped background of the “okapi” inversely mirror the opposite page’s “pademelon” and its vivid pink background and bushes in shades of green.
Though this feels rather like a bound set of attractive animal-themed flashcards, it might be just right for keen young zoologists. (Board book. 1-4)Pub Date: Sept. 4, 2018
ISBN: 978-1-63322-628-9
Page Count: 36
Publisher: Walter Foster Jr.
Review Posted Online: Nov. 20, 2018
Kirkus Reviews Issue: Jan. 1, 2019
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by Nicola Edwards ; illustrated by Thomas Elliott ‧ RELEASE DATE: March 23, 2021
A fun, utilitarian vocabulary builder that begs to be picked up and touched.
In the tradition of Pat the Bunny, this effort offers plenty of opportunity for tactile exploration.
Though it lacks the inventiveness, charm, and nontactile sensory provocations that make Pat the Bunny an enduring classic, this gives little hands plenty to grab, feel, touch, and experience. There are no “Paul and Judy” on hand to emulate, but the die-cut, fuzzy handprint in the middle of the thick, cardboard cover makes the book’s intent and methodology clear to its audience. So does the admonition, “Let’s Get Hands-on!” accompanying a photo of a little White child with fingers and palms covered in different colors of paint. The next page lists 10 different textures along with photographs of items that act as examples of each. Featured sensations are “fluffy, crinkly, smooth, bumpy, sticky, spongy, furry, rough, scratchy, [and] soft.” Each texture gets a two-page spread featuring several different items or creatures that feel that way and one large example with a die-cut hole and an embedded tactile element of the corresponding texture. The book features plenty of vocabulary, including three synonyms for each type of texture. There’s a descriptive sentence: “Fluffy things feel light and airy,” for example. Questions add an interactive element, inviting children to explore for themselves: “If you run your finger along something crinkly, what kind of noise does it make?”
A fun, utilitarian vocabulary builder that begs to be picked up and touched. (Board book. 1-4)Pub Date: March 23, 2021
ISBN: 978-1-68010-656-5
Page Count: 22
Publisher: Tiger Tales
Review Posted Online: June 1, 2021
Kirkus Reviews Issue: June 15, 2021
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by Nicola Edwards ; illustrated by Thomas Elliott
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by Puck ; illustrated by Violet Lemay ‧ RELEASE DATE: April 4, 2017
A cheery board book to reinforce the oneness of babykind.
Ten babies in 10 countries greet friends in almost 10 languages.
Countries of origin are subtly identified. For example, on the first spread, NYC is emblazoned on a blond, white baby’s hat as well as a brown baby’s scoot-car taxi. On the next spread, “Mexico City” is written on a light brown toddler’s bike. A flag in each illustration provides another hint. However, the languages are not named, so on first reading, the fine but important differences between Spanish and Portuguese are easily missed. This is also a problem on pages showing transliterated Arabic from Cairo and Afrikaans from Cape Town. Similarly, Chinese and Japanese are transliterated, without use of traditional hànzì or kanji characters. British English is treated as a separate language, though it is, after all, still English. French (spoken by 67 million people) is included, but German, Russian, and Hindi (spoken by 101 million, 145 million, and 370 million respectively) are not. English translations are included in a slightly smaller font. This world survey comes full circle, ending in San Francisco with a beige baby sleeping in an equally beige parent’s arms. The message of diversity is reinforced by images of three babies—one light brown, one medium brown, one white—in windows on the final spread.
A cheery board book to reinforce the oneness of babykind. (Board book. 2-4)Pub Date: April 4, 2017
ISBN: 978-1-938093-87-6
Page Count: 20
Publisher: Duo Press
Review Posted Online: April 25, 2017
Kirkus Reviews Issue: July 1, 2017
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