An intriguing and eclectic—if not always convincing—exploration of spiritual psychoanalysis.
A psychiatrist explores the connection between spirituality and science in this nonfiction work.
“I wasn’t prepared to write books,” the author notes, adding, “the guidance of the Universe forced me to do it.” This sense of divine mission sets the tone for a book that is largely a memoir in its first section, in which the author describes his upbringing in the Soviet Republic of Moldova and the disconnection he felt between his cerebral, spiritual sensibilities and those of his more carnal teenage classmates. Rotaru discusses his marriage and journey through medical school, blending in the story of his early premonitions (“Subconscious Signs of God”). While not the primary focus of the book’s narrative, the author’s belief that his community “lost [its] bearings” following the collapse of communism is a major throughline. (The resulting economic and social instability forced Rotaru’s family to emigrate to Romania before a final resettling in Canada.) Transitioning from memoir-like vignettes, Rotaru, a trained psychiatrist, centers his attention on the connection between spirituality and science. While some readers may balk at the author’s frequent claims of divine ordinance, his spiritual takes, combined with an informed perspective on neuroscience and psychoanalysis, are fascinating. Rejecting a Western dogmatic approach to religion, Rotaru frequently references the writings of Neale Donald Walsch (specifically, his Conversations with Godseries), which incorporate Eastern spirituality. (Human energy chakras, a focal point of Hindu and Buddhist meditative traditions, are described in detail.) The book also dabbles in esoterica like numerology, often citing dates and other numerical data as signs from God. Translated into English from the original Romanian text, this is an accessibly written work in which the author is earnest about his spiritual belief system but never preachy. At over 465 pages, the text is at times repetitive, but Rotaru’s down-to-earth prose is accompanied by an ample selection of diagrams, images, and other visual elements. For the scientifically minded reader, the book draws on a firm foundation of psychiatry, though a more formal approach to scholarly citations would be appreciated.
An intriguing and eclectic—if not always convincing—exploration of spiritual psychoanalysis.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: Aug. 21, 2024
Review Program: Kirkus Indie
BOOK REVIEW
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
An ebullient nature lover’s paean to birds.
A charming bird journey with the bestselling author.
In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”
An ebullient nature lover’s paean to birds.Pub Date: April 23, 2024
ISBN: 9780593536131
Page Count: 320
Publisher: Knopf
Review Posted Online: Jan. 19, 2024
Kirkus Reviews Issue: Feb. 15, 2024
BOOK REVIEW
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BOOK REVIEW
SEEN & HEARD
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