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SHATTERED DREAMS

MY LIFE AS A POLYGAMIST’S WIFE

Gives the lie to the suburban cheer of HBO’s Big Love.

An engrossing, though flawed memoir about poverty, procreation and polygamy south of the border.

The Church of Jesus Christ of Latter-Day Saints banned the practice more than a century ago, but some communities of self-styled “Mormon fundamentalists” continue to practice “plural marriage.” In 1953, when the author was 16, she became the second wife of Verlan LeBaron, who was already married to her half-sister Charlotte. LeBaron and his wives (he eventually acquired ten) lived in Mexico, which was less zealous than the U.S. in enforcing anti-polygamy laws. But the patriarch couldn’t provide for all those spouses and their offspring. They lived hand-to-mouth; Spencer fashioned undergarments from flour sacks and learned to get by without toilet paper. She recounts not just the financial difficulties, but also the emotional struggles of LeBaron’s wives, who competed with one another for his affection and attentions. He often provoked the women, as when he gave one wife’s wedding dress to a new bride to wear. Nonetheless, the author notes, genuine friendship and love grew among some of the wives. Much of her narrative focuses on sex and childbirth; she enjoyed making love with her husband and tried to cajole him into more frequent romps in the sack. Spencer gave birth to 13 babies, and her descriptions of labor, as well as the pregnancies she attended as an ersatz midwife, become tedious. There are curious omissions here. The author seldom explores how growing up in a polygamous household affected her children. And she offers little detail about how she adjusted after LeBaron finally died. The epilogue tells us that Spencer later became a “born-again Christian” and entered a monogamous marriage, but that seems an insufficient coda to such an intense story.

Gives the lie to the suburban cheer of HBO’s Big Love.

Pub Date: Aug. 22, 2007

ISBN: 978-1-59995-719-7

Page Count: 388

Publisher: Center Street/Hachette

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: July 1, 2007

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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