A chilling pleasure.
First published in 1929 but only just translated into English, Russian novelist/poet/playwrite/memoirist Odoevtseva’s arresting tale of teenage Russian expats living in France is as dark as it is dreamy.
The book was not an instant hit when it was first published in Paris, where Odoevtseva, like her characters, had fled to escape the Russian Revolution. Among the critical charges against it: It abused “sexual spice”; it was “dry”; it stereotyped the English; it had lesbian overtones. It was, co-translator Karetnyk writes in his engaging introduction, “all much too modern, much too European, much too explicit, much too close to the bone.” Indeed, it is all of those things, which is exactly what makes it great; the setting may be dated, but the writing, as translated by Karetnyk and Steinberg, is arrestingly contemporary. When we first meet 14-year-old Liza, the heart and center of the novel, it is on the beach in Biarritz, and we see her through the eyes of a wealthy British boy named Cromwell, who falls in love with her immediately and renames her Isolde, to his Tristan. Men fall in love with Liza—it’s just what they do—though except for declaring their devotion, they rarely engage with who she is. Cromwell, the most earnest of the bunch, is a pleasant distraction for both her and her plotting older brother, Nikolai, both of whom bask in his affections and his cash. When the family returns to Paris in the fall, Liza reunites with her boyfriend, Andrei—Cromwell, after all, was just a sweet diversion—but finds herself increasingly uneasy, on the cusp of adulthood, longing still for the half-imaginary Moscow of her youth. When Nikolai and Andrei hatch a plot, using naïve Liza as a pawn, the doom that has been hovering over the novel comes to violent fruition, although the real action all takes place offstage. The novel might have been a moralistic tale about an abandoned generation; instead, because of Liza, it is captivating: Underneath her shallow mania is real complexity, and while Odoevtseva’s portrait of adolescence is disturbing, it is also very funny, a ray of light cutting through the misery of an otherwise dark world.
A chilling pleasure.Pub Date: Nov. 5, 2019
ISBN: 978-1-78227-477-3
Page Count: 256
Publisher: Pushkin Press
Review Posted Online: Sept. 1, 2019
Kirkus Reviews Issue: Sept. 15, 2019
Corrosive dispatches from the divided heart of America.
Edgy humor and fierce imagery coexist in these stories with shrewd characterization and humane intelligence, inspired by volatile material sliced off the front pages.
The state of race relations in post-millennial America haunts most of the stories in this debut collection. Yet Adjei-Brenyah brings to what pundits label our “ongoing racial dialogue” a deadpan style, an acerbic perspective, and a wicked imagination that collectively upend readers’ expectations. “The Finkelstein 5,” the opener, deals with the furor surrounding the murder trial of a white man claiming self-defense in slaughtering five black children with a chainsaw. The story is as prickly in its view toward black citizens seeking their own justice as it is pitiless toward white bigots pressing for an acquittal. An even more caustic companion story, “Zimmer Land,” is told from the perspective of an African-American employee of a mythical theme park whose white patrons are encouraged to act out their fantasies of dispensing brutal justice to people of color they regard as threatening on sight, or “problem solving," as its mission statement calls it. Such dystopian motifs recur throughout the collection: “The Era,” for example, identifies oppressive class divisions in a post-apocalyptic school district where self-esteem seems obtainable only through regular injections of a controlled substance called “Good.” The title story, meanwhile, riotously reimagines holiday shopping as the blood-spattered zombie movie you sometimes fear it could be in real life. As alternately gaudy and bleak as such visions are, there’s more in Adjei-Brenyah’s quiver besides tough-minded satire, as exhibited in “The Lion & the Spider,” a tender coming-of-age story cleverly framed in the context of an African fable.
Corrosive dispatches from the divided heart of America.Pub Date: Oct. 23, 2018
ISBN: 978-1-328-91124-7
Page Count: 208
Publisher: Mariner/Houghton Mifflin Harcourt
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
BOOK REVIEW
PROFILES
A raw and incandescently written foray into fiction by one of our most gifted poets.
A young man writes a letter to his illiterate mother in an attempt to make sense of his traumatic beginnings.
When Little Dog is a child growing up in Hartford, he is asked to make a family tree. Where other children draw full green branches full of relatives, Little Dog’s branches are bare, with just five names. Born in Vietnam, Little Dog now lives with his abusive—and abused—mother and his schizophrenic grandmother. The Vietnam War casts a long shadow on his life: His mother is the child of an anonymous American soldier—his grandmother survived as a sex worker during the conflict. Without siblings, without a father, Little Dog’s loneliness is exacerbated by his otherness: He is small, poor, Asian, and queer. Much of the novel recounts his first love affair as a teen, with a “redneck” from the white part of town, as he confesses to his mother how this doomed relationship is akin to his violent childhood. In telling the stories of those who exist in the margins, Little Dog says, “I never wanted to build a ‘body of work,’ but to preserve these, our bodies, breathing and unaccounted for, inside the work.” Vuong has written one of the most lauded poetry debuts in recent memory (Night Sky with Exit Wounds, 2016), and his first foray into fiction is poetic in the deepest sense—not merely on the level of language, but in its structure and its intelligence, moving associationally from memory to memory, quoting Barthes, then rapper 50 Cent. The result is an uncategorizable hybrid of what reads like memoir, bildungsroman, and book-length poem. More important than labels, though, is the novel’s earnest and open-hearted belief in the necessity of stories and language for our survival.
A raw and incandescently written foray into fiction by one of our most gifted poets.Pub Date: June 4, 2019
ISBN: 978-0-525-56202-3
Page Count: 256
Publisher: Penguin Press
Review Posted Online: March 17, 2019
Kirkus Reviews Issue: April 1, 2019
BOOK REVIEW
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