Readers who enjoy historical fiction and romance will find this a worthwhile journey.
Three women seek answers to their prayers at Rochemont Abbey, in this appealing novel set in the Dark Ages.
In a well-paced and interwoven story, Anthony’s (The Ruins of Lace, 2012) main characters relate their tales as they each face challenges of faith and hope for miracles. Sister Juliana left her lover and young daughter years ago and found refuge caring for Saint Catherine’s chapel and protecting the saint’s relic, which lies in a small casket. Disturbed by a promise she made to her dying mentor to assume leadership of the abbey, she’s racked with unresolved guilt about her past and doubts her ability to honor her promise. So she remains silent as another usurps control and plunders the pilgrims’ offerings and the chapel’s modest treasures. Anna is a young girl who has rarely ventured beyond her home due to her physical deformities. But now her mother’s death has left her homeless and destitute, and she desperately yearns to be healed. With no other possessions save her mother’s pendant and the clothes on her back, Anna begins her journey to Saint Catherine’s chapel. Abandoned by a group of pilgrims, she wanders into danger, and Godric, a sympathetic Saxon traveling with a group of Danes, becomes her protector. When Gisele learns her father, King Charles, has agreed to marry her off to a barbaric chieftain of the Danes to fulfill the terms of a treaty, the princess begs to travel to Saint Catherine’s relic to ascertain that the marriage is God’s will. Although her father decides to let her go, her plans are thwarted. She tries to enlist help from others, including the valiant knight who safeguards her, but she encounters unexpected problems, including wild animals and an uncooperative horse. The three women’s stories converge into a logical, though not necessarily happily-ever-after, closure, as Anthony creates a narrative that subtly educates, poses stimulating questions and entertains.
Readers who enjoy historical fiction and romance will find this a worthwhile journey.Pub Date: April 1, 2014
ISBN: 978-1-4022-8531-8
Page Count: 336
Publisher: Sourcebooks Landmark
Review Posted Online: Feb. 5, 2014
Kirkus Reviews Issue: Feb. 15, 2014
BOOK REVIEW
A compelling, beautifully rendered tale of passion and pain.
Rome, past and present, serves as the setting for a sparkling historical novel.
Smith (Free Men, 2016, etc.) bounds through 2,000 years of history, following four indelible characters as they grapple with questions of faith, freedom, and transgressive love. Tom, a biologist working in contemporary Rome, is studying ostracods, tiny crustaceans that thrive in polluted, agitated environments. “Are they adapting in the face of disadvantage or are they opportunists of collapse?” Tom asks, aware that his question about ostracods could just as well apply to his own emotional agitation. The married father of a 9-year-old daughter, he has met a young woman who enchants him, impelling him to confront his desperate desire for “an unleashing” and for a love deeper than what he feels for his wife. A child playing in the water where he is investigating suddenly shrieks in pain, pierced by a piece of bent metal, “scaly with corrosion, its silver marred with patches of orange rust.” It is a fishhook—maybe a castoff with no value or perhaps an ancient relic: uncanny, miraculous. The fishhook reappears as Smith leaps back to the Renaissance, where it falls into the hands of Giulia, a mixed-race princess newly married to a Medici, pregnant with another man’s child. For Giulia, her fortunes embroiled in political and religious rivalries, the fishhook evokes a holier time, before corruption and hypocrisy sullied the church. In ninth-century Rome, Felix, a 60-year-old monk, is tormented by his youthful, forbidden love for Tomaso; assigned to watch over the decaying bodies in the putridarium, Felix comes into possession of the fishhook, guessing—wishing—that it belonged to the martyred St. Prisca, who perhaps “got it direct from Jesus.” In the year 165, Prisca did indeed find the hook, secreting it as a precious token. Drawn to worshipping Christ rather than pagan gods, 12-year-old Prisca stands defiant against her violent tormenters. Perhaps Smith’s most appealing character is Satan, whose weary, ironic comments punctuate a narrative that shines with lyrical, translucent prose.
A compelling, beautifully rendered tale of passion and pain.Pub Date: March 24, 2020
ISBN: 978-0-06-287364-4
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: Dec. 8, 2019
Kirkus Reviews Issue: Jan. 1, 2020
An elegant, pithy performance by a first-time novelist who couldn’t seem more familiar with his characters or territory.
Manhattan in the late 1930s is the setting for this saga of a bright, attractive and ambitious young woman whose relationships with her insecure roommate and the privileged Adonis they meet in a jazz club are never the same after an auto accident.
Towles' buzzed-about first novel is an affectionate return to the post–Jazz Age years, and the literary style that grew out of it (though seasoned with expletives). Brooklyn girl Katey Kontent and her boardinghouse mate, Midwestern beauty Eve Ross, are expert flirts who become an instant, inseparable threesome with mysterious young banker Tinker Grey. With him, they hit all the hot nightspots and consume much alcohol. After a milk truck mauls his roadster with the women in it, permanently scarring Eve, the guilt-ridden Tinker devotes himself to her, though he and she both know he has stronger feelings for Katey. Strong-willed Katey works her way up the career ladder, from secretarial job on Wall Street to publisher’s assistant at Condé Nast, forging friendships with society types and not allowing social niceties to stand in her way. Eve and Tinker grow apart, and then Kate, belatedly seeing Tinker for what he is, sadly gives up on him. Named after George Washington's book of moral and social codes, this novel documents with breezy intelligence and impeccable reserve the machinations of wealth and power at an historical moment that in some ways seems not so different from the current one. Tinker, echoing Gatsby, is permanently adrift. The novel is a bit light on plot, relying perhaps too much on description. But the characters are beautifully drawn, the dialogue is sharp and Towles avoids the period nostalgia and sentimentality to which a lesser writer might succumb.
An elegant, pithy performance by a first-time novelist who couldn’t seem more familiar with his characters or territory.Pub Date: July 25, 2011
ISBN: 978-0-670-02269-4
Page Count: 352
Publisher: Viking
Review Posted Online: May 19, 2011
Kirkus Reviews Issue: June 1, 2011
BOOK REVIEW
BOOK REVIEW
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