by Iris Johansen Roy Johansen ‧ RELEASE DATE: July 17, 2012
A not-so-thrilling thriller that leaves readers wishing that the bad guys were better shots.
Johansen and her son, Roy, team up for their fourth collaborative effort (Shadow Zone, 2010, etc.).
Dr. Kendra Michaels, a music therapist, doesn’t seem like your average crime fighter, but Kendra’s track record is impressive. She’s helped police crack plenty of tough cases. Although she has no crime-fighting background, the first 20 years of her life have heightened her senses, and she can see, hear, smell and feel things no one else can. Born blind, Kendra had sight-restoring surgery, but regaining her ability to see hasn’t changed her gift for zeroing in on details that often get by others. So, when someone starts killing random people, former FBI agent Adam Lynch, who is now investigative freelancing, ropes her into helping the feds find the killer. Kendra hadn’t planned to get involved in another case, but an FBI agent named Jeff, who is also an old boyfriend of hers, has gone missing, and the bureau believes he was snatched while trying to find the serial killer. Kendra fights the idea of joining the investigation and gives everyone from Adam to the FBI’s special agent in charge a hard time. Then things get weird, and suddenly Kendra finds herself on the receiving end of the violence. After narrowly escaping an attack, Kendra plunges into the case but soon finds it’s forcing her to reexamine both her old relationship with Jeff and her new one with Adam. The law enforcement agents are all either corrupt or inept, and the supposed heat that builds between Kendra and Adam is tepid and uninteresting. While the foray into music therapy is compelling, the writers strain credulity with the premise that any federal agency would put up with someone as unpleasant and rude as Kendra, much less let her call the shots.
A not-so-thrilling thriller that leaves readers wishing that the bad guys were better shots.Pub Date: July 17, 2012
ISBN: 978-0-312-61161-3
Page Count: 416
Publisher: St. Martin's
Review Posted Online: June 30, 2012
Kirkus Reviews Issue: July 15, 2012
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Renée Knight ‧ RELEASE DATE: May 19, 2015
An addictive psychological thriller.
When a mysterious novel appears on her bedside table, a successful documentary filmmaker finds herself face to face with a secret that threatens to unravel life as she knows it.
Catherine Ravenscroft has built a dream life, or close to it: the devoted husband, the house in London, the award-winning career as a documentary filmmaker. And though she’s never quite bonded with her 25-year-old son the way she’d hoped, he’s doing fine—there are worse things than being an electronics salesman. But when she stumbles across a sinister novel called The Perfect Stranger—no one’s quite sure how it came into the house—Catherine sees herself in its pages, living out scenes from her past she’d hoped to forget. It’s a threat—but from whom? And why now, 20 years after the fact? Meanwhile, Stephen Brigstocke, a retired teacher, widowed and in pain, is desperate to exact revenge on Catherine and make her pay for what happened all those years ago. The story is told in alternating chapters, Catherine's in the third-person and Stephen's in the first, as the two orbit each other, predator and prey, and the novel moves between the past and the present to paint a portrait of two troubled families with trauma bubbling under the surface. As their lives become increasingly entangled, Stephen’s obsession grows, Catherine’s world crumbles, and it becomes clear that—in true thriller form—everything may not be as it seems. But how much destruction must be wrought before the truth comes out? And when it does, will there be anything left to salvage? While the long buildup to the big reveal begins to drag, Knight’s elegant plot and compelling (if not unexpected) characters keep the heart of the novel beating even when the pacing falters. Atmospheric and twisting and ripe for TV adaptation, this debut novel never strays far from convention, but that doesn’t make it any less of a page-turner.
An addictive psychological thriller.Pub Date: May 19, 2015
ISBN: 978-0-06-236225-4
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: March 1, 2015
Kirkus Reviews Issue: March 15, 2015
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BOOK TO SCREEN
BOOK TO SCREEN
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