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THE DEATH OF A POET

THE LAST DAYS OF MARINA TSVETAEVA

A grim reminder that tyrants have myriad ways to strangle dissent. (8 pp. b&w photos)

A gripping account of the final months of the Russian poet, who took her own life in 1941, at age 49, following the arrest and imprisonment by the Soviet secret police of her daughter, husband, and friends.

“Where is the truth?” asks Kudrova. And: “How true is it?” Newly translated from the Russian, this 1995 work (her third about Tsvetaeva, none reviewed) endeavors to answer these disturbing questions about the famous poet’s decision to hang herself in a small, somber house near Moscow. The author carefully reconstructs Tsvetaeva’s movements and imagines what she might have been feeling as her personal world imploded, the Russia she knew exploded (Nazi bombs were raining on Moscow), and the NKVD rounded up, interrogated, broke, and executed anyone who’d ever breathed, or even considered, an anti-Soviet sentiment. (Readers concerned about our own Patriot Act will recognize some ominous shadows flickering on the wall.) Kudrova begins in mid-June 1939 as the poet and her 14-year-old son were leaving France to return to the Soviet Union. Her husband, who had been working for Soviet intelligence in France, was already home. Husband and wife had not seen each other for 18 months; the NKVD would shoot him in 1941. Using their son’s diary, the KGB archives, letters (including three suicide notes) and other personal documents, interviews, and visits to key locations, Kudrova imagines the forces at work on Tsvetaeva. The author examines and modifies three published motives for the poet’s suicide: protecting her son, who by her death would perhaps be freed from subsequent government suspicion; yielding to mental illness (her mood had grown ever more fearful and saturnine); avoiding arrest herself by the NKVD and being forced to traduce her friends, even as they had falsely betrayed her family. Kudrova concludes by calling Tsvetaeva “another victim of the Great October Socialist Revolution.”

A grim reminder that tyrants have myriad ways to strangle dissent. (8 pp. b&w photos)

Pub Date: Feb. 2, 2004

ISBN: 1-58567-522-9

Page Count: 240

Publisher: Overlook

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2003

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THE ESCAPE ARTIST

A vivid sequel that strains credulity.

Fremont (After Long Silence, 1999) continues—and alters—her story of how memories of the Holocaust affected her family.

At the age of 44, the author learned that her father had disowned her, declaring her “predeceased”—or dead in his eyes—in his will. It was his final insult: Her parents had stopped speaking to her after she’d published After Long Silence, which exposed them as Jewish Holocaust survivors who had posed as Catholics in Europe and America in order to hide multilayered secrets. Here, Fremont delves further into her tortured family dynamics and shows how the rift developed. One thread centers on her life after her harrowing childhood: her education at Wellesley and Boston University, the loss of her virginity to a college boyfriend before accepting her lesbianism, her stint with the Peace Corps in Lesotho, and her decades of work as a lawyer in Boston. Another strand involves her fraught relationship with her sister, Lara, and how their difficulties relate to their father, a doctor embittered after years in the Siberian gulag; and their mother, deeply enmeshed with her own sister, Zosia, who had married an Italian count and stayed in Rome to raise a child. Fremont tells these stories with novelistic flair, ending with a surprising theory about why her parents hid their Judaism. Yet she often appears insensitive to the serious problems she says Lara once faced, including suicidal depression. “The whole point of suicide, I thought, was to succeed at it,” she writes. “My sister’s completion rate was pathetic.” Key facts also differ from those in her earlier work. After Long Silence says, for example, that the author grew up “in a small city in the Midwest” while she writes here that she grew up in “upstate New York,” changes Fremont says she made for “consistency” in the new book but that muddy its narrative waters. The discrepancies may not bother readers seeking psychological insights rather than factual accuracy, but others will wonder if this book should have been labeled a fictionalized autobiography rather than a memoir.

A vivid sequel that strains credulity.

Pub Date: Feb. 11, 2020

ISBN: 978-1-982113-60-5

Page Count: 352

Publisher: Gallery Books/Simon & Schuster

Review Posted Online: Oct. 20, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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WHEN THE GAME WAS OURS

Doesn’t dig as deep as it could, but offers a captivating look at the NBA’s greatest era.

NBA legends Bird and Johnson, fierce rivals during their playing days, team up on a mutual career retrospective.

With megastars LeBron James and Kobe Bryant and international superstars like China’s Yao Ming pushing it to ever-greater heights of popularity today, it’s difficult to imagine the NBA in 1979, when financial problems, drug scandals and racial issues threatened to destroy the fledgling league. Fortunately, that year marked the coming of two young saviors—one a flashy, charismatic African-American and the other a cocky, blond, self-described “hick.” Arriving fresh off a showdown in the NCAA championship game in which Johnson’s Michigan State Spartans defeated Bird’s Indiana State Sycamores—still the highest-rated college basketball game ever—the duo changed the course of history not just for the league, but the sport itself. While the pair’s on-court accomplishments have been exhaustively chronicled, the narrative hook here is unprecedented insight and commentary from the stars themselves on their unique relationship, a compelling mixture of bitter rivalry and mutual admiration. This snapshot of their respective careers delves with varying degrees of depth into the lives of each man and their on- and off-court achievements, including the historic championship games between Johnson’s Lakers and Bird’s Celtics, their trailblazing endorsement deals and Johnson’s stunning announcement in 1991 that he had tested positive for HIV. Ironically, this nostalgic chronicle about the two men who, along with Michael Jordan, turned more fans onto NBA basketball than any other players, will likely appeal primarily to a narrow cross-section of readers: Bird/Magic fans and hardcore hoop-heads.

Doesn’t dig as deep as it could, but offers a captivating look at the NBA’s greatest era.

Pub Date: Nov. 4, 2009

ISBN: 978-0-547-22547-0

Page Count: 352

Publisher: Houghton Mifflin Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2009

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