by Irv Broughton ‧ RELEASE DATE: Nov. 23, 2022
A scintillating collection of interviews full of rich memories and piquant insights.
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Authors, filmmakers, aviators, and a raft of ordinary people speak out in Broughton’s collection of colorful interviews.
The author, a novelist, playwright, poet, and oral historian, gathers 25 conversations (spanning decades) with an eclectic group of subjects. Some are celebrities, including film director Sam Fuller, who expounds on the art of story structure; SF novelist Ursula K. Le Guin, who opines vehemently on both good and bad scribes (“Kill…Kill….I don’t like hack writers”); and fellow SF novelist Isaac Asimov, who expounds on his own charisma. (“I would describe myself as the best off-the-cuff after-dinner speaker in the whole damn world.”) Broughton talks to lesser-known novelists as well, including Elizabeth Spencer, who reflects on the similarities of Italy and Mississippi; George Garrett, who revisits his father’s exploits as a pioneering civil rights attorney in Florida; and Kay Boyle, who discusses visiting political prisoners in Franco’s Spain and refusing to meet Hemingway because of his womanizing. Broughton also takes an interest in flyers, including Dorothy Hester Stenzel, a stunt flyer who barnstormed air shows in the 1930s after pushing her way past male chauvinist gatekeepers, and George Gay, a United States Navy pilot who was shot down at the Battle of Midway in World War II and watched the destruction of the Japanese fleet while bobbing in the sea. And there are unsung but interesting figures like James Billie, a Florida Seminole leader who made the tribe billions of dollars building casinos, and Earl Wilson, a man celebrated in the town of Winter Park, Florida, for continuing to work at a plant nursery at the age of 97.
Broughton elicits chatty, free-wheeling conversations from his interlocutors, using a mix of open-ended questions, attentive follow-ups, and the occasional off-the-wall query. His interviews with authors are the most polished and introspective in the collection, with much analysis of the writer’s craft and its roots in character and psyche that feels fresh rather than hackneyed (“Humphrey Bogart, who looked the world straight in the face unflinchingly and who talked tough and hard, very manly, said exactly what he meant, and called things by their right names,” is how poet Richard Hugo describes one of his poetic alter egos). Many of the interviewees aren’t professional wordsmiths, but their rough-hewn observations are still evocative and atmospheric; remembering a woman caught in an avalanche with her children in an Idaho mining town, Anne Dunphy Magnuson says, “She was hurt, too, but she kept hollering about ‘Where’s my babies,’ and they said, ‘Well, they’re up there dead on the kitchen table.’ ” Even the most plainspoken exchanges can carry a complex, powerful emotional charge: “One man told me that he’d rather I didn’t come around anymore because every time his wife saw me, she got sick,” recalls George Gay, the sole survivor of his 30-man torpedo bomber unit at Midway, of his attempts to reach out to the families of his dead friends. “She felt her son should have been there, instead of me. That was a little hard to take.” The result is captivating.
A scintillating collection of interviews full of rich memories and piquant insights.Pub Date: Nov. 23, 2022
ISBN: 9780912350950
Page Count: 391
Publisher: Mill Mountain Press
Review Posted Online: May 13, 2023
Kirkus Reviews Issue: July 1, 2023
Review Program: Kirkus Indie
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by Irv Broughton ; illustrated by Lilly Ross
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by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee ‧ RELEASE DATE: July 12, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
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New York Times Bestseller
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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by Brandon Stanton photographed by Brandon Stanton
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by Pamela Anderson ‧ RELEASE DATE: Jan. 31, 2023
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
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New York Times Bestseller
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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