Even readers on their own 14th rereads of the series will find new insights to ponder.
Albus Dumbledore: saintly mentor and protector of young wizards or ruthless Machiavellian manipulator?
In this edition of a previously self-published collection of essays gathered from his columns on the fan website MuggleNet, Khaytman spins hints in the texts and purely speculative notions together into a broad view of what Hogwarts’ headmaster knew, when he knew it, and what he did about it in his campaign to quash He Who Must Not Be Named. Even though he opens with a key to the jargon, readers who can’t keep SS (Harry Potter and the Sorcerer’s Stone) separate from QA (Quidditch Through the Ages) or easily distinguish Quirrellmort from Cupcrux will struggle to keep up as he minutely analyzes Dumbledore’s influence in events through each of the seven original HPs in turn. Khaytman writes that he reread the series 14 times but freely acknowledges ideas contributed by fellow fan critics both as he goes and, in greater detail, in an annotated bibliography. In the end, though, some of what Dumbledore did—or what he surmises Dumbledore must have done—creates a dilemma for readers, and the author ultimately leaves him, for all his scheming ways and imperfections, on the side of the angels. Dumbledore’s sexuality does not come up nor, aside from a reference drawn from DH to his character’s being “white as his beard,” does his race. Three appendices further explore the canon.
Even readers on their own 14th rereads of the series will find new insights to ponder. (Literary criticism. 13-18)Pub Date: Oct. 12, 2021
ISBN: 978-1-948174-78-7
Page Count: 224
Publisher: Media Lab Books
Review Posted Online: Sept. 14, 2021
Kirkus Reviews Issue: Oct. 1, 2021
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
Immersive and engaging, despite some flaws, and destined to capture imaginations.
Magic, mystery, and love intertwine and invite in this newest take on the “enchanted circus” trope.
Sisters raised by their abusive father, a governor of a colonial backwater in a world vaguely reminiscent of the late 18th century, Scarlett and Donatella each long for something more. Scarlett, olive-skinned, dark of hair and attitude, longs for Caraval, the fabled, magical circus helmed by the possibly evil Master Legend Santos, while blonde, sunny Tella finds comfort in drink and the embraces of various men. A slightly awkward start, with inconsistencies of attitude and setting, rapidly smooths out when they, along with handsome “golden-brown” sailor Julian, flee to Caraval on the eve of Scarlett’s arranged marriage. Tella disappears, and Scarlett must navigate a nighttime world of magic to find her. Caraval delights the senses: beautiful and scary, described in luscious prose, this is a show readers will wish they could enter. Dresses can be purchased for secrets or days of life; clocks can become doors; bridges move: this is an inventive and original circus, laced with an edge of horror. A double love story, one sensual romance and the other sisterly loyalty, anchors the plot, but the real star here is Caraval and its secrets.
Immersive and engaging, despite some flaws, and destined to capture imaginations. (Fantasy. 14 & up)Pub Date: Jan. 31, 2017
ISBN: 978-1-250-09525-1
Page Count: 416
Publisher: Flatiron Books
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
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