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CAMGIRL

A vivacious chronicle of how Mazzei channeled her sexuality into a lucrative business, which became an epiphanic experience...

A former internet live-action “camgirl” divulges the secrets and the snags of the provocative lifestyle.

In Mazzei’s debut memoir, she describes growing up in Santa Monica, California, as the daughter of a hip, bipolar cinematographer and an alcoholic makeup artist. After an earthquake and subsequent fire damage forced the family to relocate to Colorado, they thrived until her mother’s addiction became unmanageable. From a young age, Mazzei’s biggest desire was to be the center of attention, and, almost as a diversion from her home life, she attracted attention by being the “strangest girl in middle school,” embracing a seductive alter ego, “Isa, Queen of Boys,” and seducing her male classmates. Later, the author also began exploring different aspects of her sexuality, including an attraction to women, sex work for wealthy men, and a stealth introduction to “camming.” Mazzei writes about her online adventures with a self-assured, casual flow and never skimps on the details of her racy, erotic two-year tenure as a camgirl. She explains how she developed a unique, arousing identity named “Una” and began amassing donated “tokens” from fans for her increasingly sexual group and private room virtual interactions. Readers interested in the fascinating world of online chat-room hosts will get a fully guided tour courtesy of Mazzei’s intimate, interactive broadcasts. Her early on-camera fumbles with tangled garter belts and random insecurities (“was I really going to masturbate in front of three hundred strangers?”) gave way to a dominant yet playful online persona whose content’s intensity increased as she networked with other girls and promoted her cam profile page on Twitter. Mazzei ended up creating a mini empire for herself and banked thousands of dollars. Only in the concluding chapters does the author openly reveal her lifelong issues with self-control, anxiety, and depression, which resurfaced during a mental breakdown at the height of her cam business and contributed to its closure.

A vivacious chronicle of how Mazzei channeled her sexuality into a lucrative business, which became an epiphanic experience as well.

Pub Date: Nov. 12, 2019

ISBN: 978-1-64428-035-5

Page Count: 288

Publisher: Rare Bird Books

Review Posted Online: Sept. 10, 2019

Kirkus Reviews Issue: Oct. 1, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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