by Isaac Bashevis Singer ‧ RELEASE DATE: June 15, 1950
A closely meshed, heavily patterned family saga, this covers the years from before World War I and up to the bombing of Warsaw of World War II in the fortunes of the Mosk. Reb Meshulam Moskat, through his unpredictable actions, has acquired great wealth and notoriety in Warsaw's ghetto and when at 80 he marries for the third time he adds to his legend. His new step-daughter, Adele, and his granddaughter, Hadassah, are both attracted to the provincial greenhorn, Asa Heshel Bannet but although it is Hadassah he loves, It is Adele he marries and the triangle continues until he meets Barbara. After Meshulam's death, through the years the family's way changes — there is a break to America, to Palestine, they die, marry, fight, argue, they watch the shifts during the war and see the family fortune, most of which has been stolen by their father's agent, dissipate as does their adherence to the Chassidic group and with the bombing it is Death who is the messiah for all. A detailed accounting of a part of the past, of a type of life and people now wiped out, this is impressive in its scope.
Pub Date: June 15, 1950
ISBN: 0374530645
Page Count: 628
Publisher: Knopf
Review Posted Online: Oct. 4, 2011
Kirkus Reviews Issue: June 15, 1950
Share your opinion of this book
More by Isaac Bashevis Singer
BOOK REVIEW
by Isaac Bashevis Singer ; translated by David Stromberg ; edited by David Stromberg
BOOK REVIEW
by Isaac Bashevis Singer ; translated by Isaac Bashevis Singer , Saul Bellow & David Stromberg ; illustrated by Liana Finck
BOOK REVIEW
by Isaac Bashevis Singer & translated by Curt Leviant
by George Orwell ‧ RELEASE DATE: Aug. 26, 1946
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
Share your opinion of this book
More by George Orwell
BOOK REVIEW
by George Orwell ; edited by Peter Davison
BOOK REVIEW
by George Orwell & edited by Peter Davison
BOOK REVIEW
by Nana Kwame Adjei-Brenyah ‧ RELEASE DATE: Oct. 23, 2018
Corrosive dispatches from the divided heart of America.
Edgy humor and fierce imagery coexist in these stories with shrewd characterization and humane intelligence, inspired by volatile material sliced off the front pages.
The state of race relations in post-millennial America haunts most of the stories in this debut collection. Yet Adjei-Brenyah brings to what pundits label our “ongoing racial dialogue” a deadpan style, an acerbic perspective, and a wicked imagination that collectively upend readers’ expectations. “The Finkelstein 5,” the opener, deals with the furor surrounding the murder trial of a white man claiming self-defense in slaughtering five black children with a chainsaw. The story is as prickly in its view toward black citizens seeking their own justice as it is pitiless toward white bigots pressing for an acquittal. An even more caustic companion story, “Zimmer Land,” is told from the perspective of an African-American employee of a mythical theme park whose white patrons are encouraged to act out their fantasies of dispensing brutal justice to people of color they regard as threatening on sight, or “problem solving," as its mission statement calls it. Such dystopian motifs recur throughout the collection: “The Era,” for example, identifies oppressive class divisions in a post-apocalyptic school district where self-esteem seems obtainable only through regular injections of a controlled substance called “Good.” The title story, meanwhile, riotously reimagines holiday shopping as the blood-spattered zombie movie you sometimes fear it could be in real life. As alternately gaudy and bleak as such visions are, there’s more in Adjei-Brenyah’s quiver besides tough-minded satire, as exhibited in “The Lion & the Spider,” a tender coming-of-age story cleverly framed in the context of an African fable.
Corrosive dispatches from the divided heart of America.Pub Date: Oct. 23, 2018
ISBN: 978-1-328-91124-7
Page Count: 208
Publisher: Mariner/Houghton Mifflin Harcourt
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
Share your opinion of this book
More by Nana Kwame Adjei-Brenyah
BOOK REVIEW
More About This Book
PROFILES
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.