by Isabel Reddy ‧ RELEASE DATE: June 9, 2023
A page-turner of impending doom that makes time for the complexities of human relationships.
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A woman discovers secrets about her father’s past in an Appalachian mining town in Reddy’s novel.
In 2019, Aleena Rowan is sifting through the belongings of her recently deceased father, a businessman who was “always gone” and a “mystery” to her. She finds a strange scrawl of his writing repeating the name “Sara, Sara, Sara.” Aleena, whose husband has just left her after 20 years of marriage, realizes that this discovery has somehow “relieved some of [her] inner turmoil and fueled [her] need for more answers.” The narrative jumps forward to a couple of months later, when Aleena connects with Sara, then alternates between the details leading up to this 2019 meeting and the story of how Frank meets Sara when he comes to check out his uncle’s acquisition of the coal mine in her Kentucky hometown in 1970. Sara is 21 and living with her miner brothers when Frank, in his 30s and already married with children, arrives on the scene. The community is wary of Frank as the new “operator,” and he’s worried about his uncle’s sight-unseen purchase of what he soon discovers is a dangerously faulty mine. He and Sara become intimately involved and bond over their love of nature and their concern about the mine They both feel trapped in their lives, with Frank telling Sara he can’t leave his alcoholic wife or young children. In her search for Sara, Aleena also discovers that the town experienced a mine-related flood in 1970, killing 125 people. The narrative builds to a crescendo as that incident unfolds, with Aleena (and the reader) finally learning the fates of all involved.
In her fiction debut, the author has written a wonderfully rich and suspenseful novel. She’s peopled the story with an engaging array of mining community characters to care about, including Sara’s family members; a Vietnam veteran miner and his pregnant, then postpartum depression–suffering wife; and a novice young miner also drawn to Sara. Reddy’s early revelation that the community will experience disaster makes for a gripping account that leaves readers anxious about which characters will survive. The author, who has a background as a science writer, also provides documentarylike detail about coal mining, sharing the specifics of “tipple” and the industry’s safety and environmental hazards, including references to the similarly horrific 1966 Aberfan disaster in Wales. Reddy effectively positions Aleena’s growing understanding of her father, and of the impact that her mother’s alcoholism had on her and her family, as the narrative arcs of the novel. She creates interest and sympathy for secondary characters, with Aleena’s mother, Allicia, a former model now ensconced in suburbia, particularly well realized. Reddy’s depiction of Frank’s 1970 angst, however, pulls hardest at the heartstrings: “Life was a series of problems that you had to solve,” he muses. “But all his logic, sound reason, and good judgment, what had they gotten him? A job he hated and an alcoholic wife.”
A page-turner of impending doom that makes time for the complexities of human relationships.Pub Date: June 9, 2023
ISBN: 9781958754061
Page Count: 254
Publisher: Belle Isle Books
Review Posted Online: June 5, 2023
Review Program: Kirkus Indie
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by Ann Patchett ‧ RELEASE DATE: June 2, 2026
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
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New York Times Bestseller
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
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by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
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New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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