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THAT YOU REMEMBER

A page-turner of impending doom that makes time for the complexities of human relationships.

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A woman discovers secrets about her father’s past in an Appalachian mining town in Reddy’s novel.

In 2019, Aleena Rowan is sifting through the belongings of her recently deceased father, a businessman who was “always gone” and a “mystery” to her. She finds a strange scrawl of his writing repeating the name “Sara, Sara, Sara.” Aleena, whose husband has just left her after 20 years of marriage, realizes that this discovery has somehow “relieved some of [her] inner turmoil and fueled [her] need for more answers.” The narrative jumps forward to a couple of months later, when Aleena connects with Sara, then alternates between the details leading up to this 2019 meeting and the story of how Frank meets Sara when he comes to check out his uncle’s acquisition of the coal mine in her Kentucky hometown in 1970. Sara is 21 and living with her miner brothers when Frank, in his 30s and already married with children, arrives on the scene. The community is wary of Frank as the new “operator,” and he’s worried about his uncle’s sight-unseen purchase of what he soon discovers is a dangerously faulty mine. He and Sara become intimately involved and bond over their love of nature and their concern about the mine They both feel trapped in their lives, with Frank telling Sara he can’t leave his alcoholic wife or young children. In her search for Sara, Aleena also discovers that the town experienced a mine-related flood in 1970, killing 125 people. The narrative builds to a crescendo as that incident unfolds, with Aleena (and the reader) finally learning the fates of all involved.  

In her fiction debut, the author has written a wonderfully rich and suspenseful novel. She’s peopled the story with an engaging array of mining community characters to care about, including Sara’s family members; a Vietnam veteran miner and his pregnant, then postpartum depression–suffering wife; and a novice young miner also drawn to Sara. Reddy’s early revelation that the community will experience disaster makes for a gripping account that leaves readers anxious about which characters will survive. The author, who has a background as a science writer, also provides documentarylike detail about coal mining, sharing the specifics of “tipple” and the industry’s safety and environmental hazards, including references to the similarly horrific 1966 Aberfan disaster in Wales. Reddy effectively positions Aleena’s growing understanding of her father, and of the impact that her mother’s alcoholism had on her and her family, as the narrative arcs of the novel. She creates interest and sympathy for secondary characters, with Aleena’s mother, Allicia, a former model now ensconced in suburbia, particularly well realized. Reddy’s depiction of Frank’s 1970 angst, however, pulls hardest at the heartstrings: “Life was a series of problems that you had to solve,” he muses. “But all his logic, sound reason, and good judgment, what had they gotten him? A job he hated and an alcoholic wife.”

A page-turner of impending doom that makes time for the complexities of human relationships.

Pub Date: June 9, 2023

ISBN: 9781958754061

Page Count: 254

Publisher: Belle Isle Books

Review Posted Online: June 5, 2023

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  • New York Times Bestseller

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE FAMILIAR

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition.

Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love.

Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric.

Pub Date: April 9, 2024

ISBN: 9781250884251

Page Count: 400

Publisher: Flatiron Books

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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