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ZAHA HADID

From the Little People, BIG DREAMS series

A great introduction to an architect, a feminist, and a leader who showed the world the impossible. (Picture book/biography....

An introduction for young readers focuses on the architect’s journey and how she became the “Queen of Curve.”

Readers are introduced to “little Zaha,” a “Muslim girl who lived with her family in Baghdad,” and learn that at 7 she was designing clothes. Sánchez Vegara leads readers through Zaha’s childhood and adulthood, covering her schooling, favorite subjects, and how she became the woman who experimented and dared to change architecture. Amar’s illustrations are simple, bright, and colorful, portraying Zaha in a space mostly occupied by men. Little details such as the letters “ZH” on construction helmets worn by men listening to Zaha’s project plan emphasize her role as a leader. When Sánchez Vegara points out that Zaha “changed the way that people thought about women—especially an Arab woman—in an industry run by men,” Amar dedicates a spread that draws attention to Zaha’s status with a wall of portraits of notable architects in which she is the only woman. Like other titles in the series, this one ends with more facts on Zaha and her family along with four black-and-white photos taken at different points in her life and suggested titles for further reading. Series companion Mary Shelley, also by Sánchez Vegara but illustrated by Yelena Bryksenkova, publishes simultaneously.

A great introduction to an architect, a feminist, and a leader who showed the world the impossible. (Picture book/biography. 5-8)

Pub Date: Oct. 1, 2019

ISBN: 978-1-78603-745-9

Page Count: 32

Publisher: Frances Lincoln

Review Posted Online: July 23, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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GRANDMA'S GARDENS

Sage, soothing ideas for a busy, loud, sometimes-divisive world.

In an inviting picture book, Chelsea and Hillary Clinton share personal revelations on how gardening with a grandmother, a mother, and children shapes and nurtures a love and respect for nature, beauty, and a general philosophy for life.

Grandma Dorothy, the former senator, secretary of state, and presidential candidate’s mother, loved gardens, appreciating the multiple benefits they yielded for herself and her family. The Clinton women reminisce about their beloved forebear and all she taught them in a color-coded, alternating text, blue for Chelsea and green for Hillary. Via brief yet explicit remembrances, they share what they learned, observed, and most of all enjoyed in gardens with her. Each double-page spread culminates in a declarative statement set in italicized red text invoking Dorothy’s wise words. Gardens can be many things: places for celebration, discovery and learning, vehicles for teaching responsibility in creating beauty, home to wildlife large and small, a place to share stories and develop memories. Though operating from very personal experience rooted in class privilege, the mother-daughter duo mostly succeeds in imparting a universally significant message: Whether visiting a public garden or working in the backyard, generations can cultivate a lasting bond. Lemniscates uses an appropriately floral palette to evoke the gardens explored by these three white women. A Spanish edition, Los jardines de la abuela, publishes simultaneously; Teresa Mlawer’s translation is fluid and pleasing, in at least one case improving on the original.

Sage, soothing ideas for a busy, loud, sometimes-divisive world. (Picture book. 5-8)

Pub Date: March 31, 2020

ISBN: 978-0-593-11535-0

Page Count: 40

Publisher: Philomel

Review Posted Online: Dec. 7, 2019

Kirkus Reviews Issue: Jan. 1, 2020

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MALALA'S MAGIC PENCIL

An inspiring introduction to the young Nobel Peace Prize winner and a useful conversation starter.

The latest of many picture books about the young heroine from Pakistan, this one is narrated by Malala herself, with a frame that is accessible to young readers.

Malala introduces her story using a television show she used to watch about a boy with a magic pencil that he used to get himself and his friends out of trouble. Readers can easily follow Malala through her own discovery of troubles in her beloved home village, such as other children not attending school and soldiers taking over the village. Watercolor-and-ink illustrations give a strong sense of setting, while gold ink designs overlay Malala’s hopes onto her often dreary reality. The story makes clear Malala’s motivations for taking up the pen to tell the world about the hardships in her village and only alludes to the attempt on her life, with a black page (“the dangerous men tried to silence me. / But they failed”) and a hospital bracelet on her wrist the only hints of the harm that came to her. Crowds with signs join her call before she is shown giving her famous speech before the United Nations. Toward the end of the book, adult readers may need to help children understand Malala’s “work,” but the message of holding fast to courage and working together is powerful and clear.

An inspiring introduction to the young Nobel Peace Prize winner and a useful conversation starter. (Picture book/memoir. 5-8)

Pub Date: Oct. 17, 2017

ISBN: 978-0-316-31957-7

Page Count: 48

Publisher: Little, Brown

Review Posted Online: Aug. 1, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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