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DINNER WITH EDWARD

THE STORY OF A REMARKABLE FRIENDSHIP

Vincent fills her pages with accounts of her life and Edward’s past, but for readers, the narrative becomes lighter on...

In shape, size, and spirit, the latest from New York Post reporter Vincent (Gilded Lily: Lily Safra: The Making of One of the World's Wealthiest Widows, 2010, etc.) is like Tuesdays with Morrie with gourmet dinners.

The setup finds the author befriending the father of a friend, a recent widower in his 90s who saw no reason to go on living since the death of his beloved wife. Vincent was also in the middle of a personal crisis, with her marriage “unraveling, despite my best efforts to pretend that nothing was wrong.” She had joined the Post as an investigative reporter in hopes that a geographical change might benefit her family, but neither the job nor the move had been satisfying. Edward began cooking for the author once a week, giving them each something to look forward to, as “he was still mourning his beloved Paula and I was starting to see how unhappy I was in my marriage.” Preparing elaborate meals largely without recipes, the self-taught chef taught the middle-age journalist something about cooking but even more about appreciating life. “He was teaching me the art of patience, the luxury of slowing down and taking the time to think about everything I did,” she reflects, continuing, “I realize he was forcing me to deconstruct my own life, to cut it back to the bone and examine the entrails, no matter how messy that proved to be.” The meals sound mouthwatering, but the food metaphors for the life well lived wear thin. Vincent’s life did change, in pretty much every respect, and her relationship with her host deepened, but there’s a limit to how much inspiration one can receive from even the best of meals.

Vincent fills her pages with accounts of her life and Edward’s past, but for readers, the narrative becomes lighter on epiphany than calories.

Pub Date: May 24, 2016

ISBN: 978-1616204228

Page Count: 224

Publisher: Algonquin

Review Posted Online: March 15, 2016

Kirkus Reviews Issue: April 1, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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