by Isabelle Gecils ‧ RELEASE DATE: May 10, 2016
A well-paced memoir steeped in strife, struggle, sorrow, and, eventually, freedom.
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The poignant life story of a woman who escaped a restrictive past to embrace an independent future.
Gecils’ inspirational debut memoir, 11 years in the making, is both an astute character study and a harrowing familial drama that plays out in the lush environs of Rio de Janeiro, Brazil. The author grew up as a middle child; she had two sisters, although she says her mother secretly wished for sons. In order to support the family, the author’s father became a software programmer at IBM and traveled a great deal; their lonely mother dejectedly handed off child-rearing responsibilities to a maid, a nanny, and the children’s grandparents. Desperate for acceptance, Gecils’ mother reached out to the superstitious spiritual sects in Rio for direction and embarked on a long-term, clandestine affair as her daughters attended a local French private school. The author’s misery escalated, she says, when her mother unceremoniously whisked her and her sisters to Shangrila, a cramped, isolated “make-shift farm” in the Brazilian forest, with their staunchly pious new stepfather, Lauro, who pursued a delirious mission to father the next “Messiah.” Gecils’ experience becomes gradually more harrowing as she finds herself a virtual prisoner on the farm. The author paces her personal narrative well, taking time to describe both the history of her family and of Brazil’s capital city. She also reveals details of her religious indoctrination at the hands of her mother and stepfather; they urged her to see prophetic visions at the cult’s meetings, she says, and she became further isolated after her biological father remarried and severed ties. She also dealt with sexual abuse, domestic violence, and bullying, which led her to make plans for a new life, unencumbered by her militant stepfather’s rules. Gecils’ resonant chronicle explores themes of belonging, family allegiance, and starting over. As it does so, it effectively tells the story of the burgeoning liberation of a young girl who had her eye on a bright horizon.
A well-paced memoir steeped in strife, struggle, sorrow, and, eventually, freedom.Pub Date: May 10, 2016
ISBN: 978-1-63047-684-7
Page Count: 340
Publisher: Morgan James Publishing
Review Posted Online: April 6, 2016
Review Program: Kirkus Indie
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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