A delight.
A stylized, visually stunning introduction to animals and animal facts that doubles neatly as a bedtime story.
In this French import, slumbering animals, insects, and sea creatures are depicted in highly detailed spreads paired with lyrical free verse. Delicate clusters of lines characterize the digital illustrations, which, dominated by black, resemble scratchboard with a modern twist: Vibrant neon-orange highlights the moonlit details on nearly every page. The visual and verbal pacing excels. Wordless full-bleed landscape endpapers and title pages gently draw readers in, inspiring quiet wonder and appreciation of the natural world before zooming in on the first featured creature: a sloth, asleep in a tree. What follows is an organic, loosely educational exploration of animals’ experiences of sleep: In each spread, Simler’s text, translated from the original French, cleverly acknowledges fact (the sloth sleeps “slung like a hammock”) while entertaining flights of fancy (“the sloth dreams / of spring-loaded sprinters, / of rockets blasting off”). The creatures themselves are easily recognizable; many, refreshingly, are less-common subjects, including a humpback whale, a flamingo, and a wild boar. Every so often, the close-up animal spreads are punctuated by new wordless nighttime landscape spreads over which to linger. In the final spread, an unnamed light-skinned girl slumbers: a cue for readers to do the same. The satisfyingly large trim size, soothing pacing, and imaginative text invite shared (and frequent) reading.
A delight. (Picture book. 3-8)Pub Date: March 26, 2019
ISBN: 978-0-8028-5517-6
Page Count: 80
Publisher: Eerdmans
Review Posted Online: Jan. 27, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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