A visceral novel that explores many different lusts and cultures.
In Cook’s (Massage and the Writer, 2014, etc.) wide-ranging novel, an intellectual travels the globe in the company of his desires.
Isham, the book’s protagonist, travels across continents and through cities such as Beijing; Chicago; Varanasi, India; and Marburg, Germany. He’s always pursuing his twin interests: the life of the mind and the life of the flesh. To those ends, he goes to various universities, pilgrimage sites and even the Great Wall of China, accompanied by a rotating cast of women. His musings on one of them, a voluptuous Chinese woman named Adalat, nicknamed “Cookie,” begin and end the novel. Cook offers dreamlike scenes of Isham’s relationship with her, interpolated by Isham’s romps with other women—chief among them the sexually obsessed Luna. Isham sees artistic and philosophical resonance in all of the events of his life, such as when he equates the sensual draw of Luna with the actions of the Archangel Gabriel: “Erotic intelligence is the capacity to captivate, even entrap, a person sexually, without the application of force….Gabriel was able to accomplish this in the Annunciation with a robe and a few key gestures.” Isham proceeds to various locations around the world, followed by students’ allegations of sexual harassment and pervasive memories of his earlier life; soon, the story oscillates between different times and places. Ultimately, the novel ends where it began in Beijing, but Isham himself is completely changed. Cook writes in a style that will appeal to readers who like their texts thick with allusion and their narrators unreliable. However, despite this style, the text is never difficult to follow. Cook provides readers with a strong sense of place; even when the narrative transitions are swift, he always makes clear exactly where his characters are. In Isham, the author offers a character that is, by turns, endearing and frustrating, and this makes him a thoroughly realistic human being.
A visceral novel that explores many different lusts and cultures.Pub Date: Sept. 16, 2012
ISBN: 978-1479230525
Page Count: 230
Publisher: CreateSpace
Review Posted Online: Oct. 31, 2014
Kirkus Reviews Issue: Dec. 1, 2014
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.
The time is the not-so-distant future, when the US's spiraling social freedoms have finally called down a reaction, an Iranian-style repressive "monotheocracy" calling itself the Republic of Gilead—a Bible-thumping, racist, capital-punishing, and misogynistic rule that would do away with pleasure altogether were it not for one thing: that the Gileadan women, pure and true (as opposed to all the nonbelieving women, those who've ever been adulterous or married more than once), are found rarely fertile.
Thus are drafted a whole class of "handmaids," whose function is to bear the children of the elite, to be fecund or else (else being certain death, sent out to be toxic-waste removers on outlying islands). The narrative frame for Atwood's dystopian vision is the hopeless private testimony of one of these surrogate mothers, Offred ("of" plus the name of her male protector). Lying cradled by the body of the barren wife, being meanwhile serviced by the husband, Offred's "ceremony" must be successful—if she does not want to join the ranks of the other disappeared (which include her mother, her husband—dead—and small daughter, all taken away during the years of revolt). One Of her only human conduits is a gradually developing affair with her master's chauffeur—something that's balanced more than offset, though, by the master's hypocritically un-Puritan use of her as a kind of B-girl at private parties held by the ruling men in a spirit of nostalgia and lust. This latter relationship, edging into real need (the master's), is very effectively done; it highlights the handmaid's (read Everywoman's) eternal exploitation, profane or sacred ("We are two-legged wombs, that's all: sacred vessels, ambulatory chalices"). Atwood, to her credit, creates a chillingly specific, imaginable night-mare. The book is short on characterization—this is Atwood, never a warm writer, at her steeliest—and long on cynicism—it's got none of the human credibility of a work such as Walker Percy's Love In The Ruins. But the scariness is visceral, a world that's like a dangerous and even fatal grid, an electrified fence.
Tinny perhaps, but still a minutely rendered and impressively steady feminist vision of apocalypse.Pub Date: Feb. 17, 1985
ISBN: 038549081X
Page Count: -
Publisher: Houghton Mifflin
Review Posted Online: Sept. 16, 2011
Kirkus Reviews Issue: Jan. 15, 1985
SEEN & HEARD
BOOK TO SCREEN
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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