MAGIC NIGHT

In this moonlit cat adventure first published in Australia as The Wrong Thing (2006), Lee captures the mysterious hush of a thick-with-magic night in ghostly, luminous pastels. The quietly urgent, deliciously immediate narrative begins when snow-white Hurricane blows in from his seaside wanderings and encounters a tiny, pointy-eared, faun-like intruder in his territory, a houseful of sleeping humans. But when the cat protectively declares, “There is no place for this strange thing,” it doesn’t seem remotely true: In the presence of the “flittery, skittery” fairy, a red-dressed doll has come to life, aquarium fish have sprouted human limbs and once-dead-and-framed insect specimens now carry lanterns. (In fact, readers may struggle at first to determine which of the myriad “strange things” the cat is actually pursuing.) When the faun-fairy pays a personal visit to the baby of the house, the cat intuits that it, too, is a young creature . . . and lost. In a familiar-feeling flip of perspective, the fairy rather abruptly flies back to its similarly pointy-eared parents and tells them, “I found the strangest place.” An edgy, beautifully surreal dreamscape perhaps best saved for daytime. (Picture book. 4-6)

Pub Date: Aug. 28, 2007

ISBN: 978-0-375-83918-4

Page Count: 40

Publisher: Random House

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2007

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PIRATES DON'T TAKE BATHS

Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)

Pub Date: March 1, 2011

ISBN: 978-0-399-25425-3

Page Count: 32

Publisher: Philomel

Review Posted Online: Jan. 26, 2011

Kirkus Reviews Issue: Feb. 1, 2011

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Too many bugs, figuratively.

LUCY'S LIGHT

Lucy, “the youngest member of a family of fireflies,” must overcome an irrational, moon-induced anxiety in order to leave her family tree trunk and glow.

The first six pages pull readers into a lush, beautiful world of nighttime: “When the sun has set, silence falls over the Big Forest, and all of the nighttime animals wake up.” Mixed media provide an enchanting forest background, with stylized flora and fauna eventually illuminated by a large, benign moon, because the night “doesn’t like to catch them by surprise.” Turning the page catches readers by surprise, though: the family of fireflies is decidedly comical and silly-looking. Similarly, the text moves from a lulling, magical cadence to a distinct shift in mood as the bugs ready themselves for their foray into the night: “They wave their bottoms in the air, wiggle their feelers, take a deep, deep breath, and sing, ‘Here we go, it’s time to glow!’ ” It’s an acceptable change, but more unevenness follows. Lucy’s excitement about finally joining the other bugs turns to “sobbing” two nights in a row. Instead of directly linking her behavior to understandable reactions of children to newness, the text undermines itself by making Lucy’s parents’ sweet reassurances impotent and using the grandmother’s scientific explanation of moonlight as an unnecessary metaphor. Further detracting from the story, the text becomes ever denser and more complex over the book’s short span.

Too many bugs, figuratively. (Picture book. 4-6)

Pub Date: Nov. 10, 2015

ISBN: 978-84-16147-00-7

Page Count: 32

Publisher: Cuento de Luz

Review Posted Online: July 22, 2015

Kirkus Reviews Issue: Aug. 15, 2015

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