A marvelous picaresque showing off the late Doig’s ready empathy for all kinds of people and his perennial gift for spinning...
Two long-distance bus trips give an 11-year-old new horizons and run a lively gamut through mid-20th-century American life.
Orphaned Donal Cameron is miserable about being sent off to Wisconsin in June 1951 to stay with a great-aunt he’s never met while his grandmother has surgery back in Gros Ventre, Montana, though the trip does give him a chance to exercise his overactive imagination with entirely fictional accounts of his antecedents and destination, which he recites to unwary fellow passengers. By the time the bus pulls into Manitowoc, Donal has collected a batch of new signatures and maxims for his cherished autograph book, received his first real kiss from a good-hearted waitress named Letty, and met her boyfriend, Harv, on his way back to jail, accompanied by a mean-spirited sheriff who will be troubling Donal again. Meanwhile, Doig has thoroughly engaged readers’ sympathies for his high-spirited yet vulnerable protagonist. Bossy Aunt Kate finds Donal an unbearable trial and quickly decides to send him back to Montana, which means to foster care. Fortunately, the boy has bonded with Kate’s other victim, her husband, Herman, who turns up on the bus with the welcome news that he intercepted her letter to the state authorities. The pair sets off for a summer of adventures, related with Doig’s customary brio. Jack Kerouac, a champion bronco buster, and a crew of rough-hewn but benevolent hobos are among those they meet on the road to the eponymous Wisdom, where Donal fast-talks them onto a haying crew. Enjoyable coincidences abound, and a leisurely storyline with plenty of twists gives the author ample room to display his knack for vivid thumbnail sketches and bravura descriptions elucidating the skills involved in all kinds of labor. The nasty sheriff gets his comeuppance, and Donal gets a chance to combine new opportunities with old bonds in a highly satisfying conclusion.
A marvelous picaresque showing off the late Doig’s ready empathy for all kinds of people and his perennial gift for spinning a great yarn. He will be missed.Pub Date: Aug. 18, 2015
ISBN: 978-1-59463-202-0
Page Count: 464
Publisher: Riverhead
Review Posted Online: May 16, 2015
Kirkus Reviews Issue: June 1, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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