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EVERY TIME WE SAY GOODBYE

A darkly meditative work from a strong and unflinching voice.

A disillusioned journalist leaves the Balkans for Berlin in this short novel by award winning Croatian author and theater director Sajko.

A narrator referred to once, in a text, as Iv. looks out the train window as he leaves the Croatian coastline behind. An intellectual, he’s long been part of a minority “constantly invoking a better tomorrow as the majority zeroed in on the shitty today.” Europe is in crisis and the Balkans under pressure; when the train stops for track repairs, passengers immediately blame “the fucking migrants.” As in Sajko’s earlier work, the characters here are firmly caught within their historical moment. Both Iv. and his translator girlfriend watch their work dry up while their expenses rise. Iv. relives a traumatizing disaster he witnessed when police fired on unarmed migrants suffocating in a train car. After that, he stopped writing, falling into a depression. As in Love Novel (2024), Sajko writes in long, breathless sentences, and each chapter is comprised of a single one. As the train moves on, the narrator reflects on his violent, alcoholic father; his estranged older brother who drained their mother’s savings; their mother, forced to leave home for employment in Germany; and his tough, rural boyhood: “My father was cursed, just as we were cursed, simply because we were boys, and nothing good could ever come of us.” We learn about the woman he loved and failed, though she remains to the end opaque; their love story is the least compelling of Sajko’s narrative threads, and Iv. more antihero than victim of fate. He contemplates loss—of people, hopes, ideals—and displacement. “The tragedy of war,” he tells us, “is ultimately the tragedy of travel, mapping out with agonising precision the passage from human to inhuman.”

A darkly meditative work from a strong and unflinching voice.

Pub Date: March 3, 2026

ISBN: 9781771966887

Page Count: 128

Publisher: Biblioasis

Review Posted Online: Jan. 19, 2026

Kirkus Reviews Issue: Feb. 15, 2026

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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  • New York Times Bestseller

A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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WOMAN DOWN

A dark and twisty look at just how far one woman is willing to go to find inspiration.

A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.

Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”

A dark and twisty look at just how far one woman is willing to go to find inspiration.

Pub Date: Jan. 13, 2026

ISBN: 9781662539374

Page Count: -

Publisher: Montlake

Review Posted Online: Sept. 27, 2025

Kirkus Reviews Issue: Nov. 1, 2025

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