A well-told story about finding new beginnings in the aftermath of defeat.
Bourg’s debut novel takes an epic look at French defeat in Vietnam and the entwined lives of the locals, soldiers and foreign nationals trying to survive in unstable times.
Max Kohl, a German and a career soldier who grew up indoctrinated in the Hitler Youth, now finds himself in the French Foreign Legion. In 1954, he walks out of Isabelle, a remote area of the Dien Bien Phu province. Loc, a Tai who has sided with the French, leads Max out of the mountainous battlefield after the French are defeated by the Vietminh. The two become infamous and inseparable, navigating post-colonialism in Saigon and Laos. Max decides to no longer blindly follow the causes of those who employ him; instead, he leads his life by repaying the loyalty of others and protecting those he cares about. Max and Loc cross paths with Petru Rossi, a Corsican gangster focused on keeping his interests in the opium trade. Also in the opium and information business is CIA agent Tom Roche, who works with Max to help a mountain tribe escape to Laos. In turn, Max helps the Americans solidify their place in Vietnam through covert missions and violent encounters. In another third-person perspective, the book also follows Mei, who becomes a concubine for the French troops after being sold into prostitution by her father. Loc briefly crosses paths with Mei in Dien Bien Phu but isn’t reunited with her until after she is released from a communist labor camp. Bourg provides a detailed account of the battle that marks the fall of France in Vietnam as well as Max and Loc’s journey out of Isabelle. Many situations and characters are introduced, which Bourg capably manages, and character development is strong, particularly for a novel this heavily rooted in action. Most compellingly, Max changes from a hardened hired soldier to a loyal member of his makeshift family with Loc and Mei.
A well-told story about finding new beginnings in the aftermath of defeat.Pub Date: Nov. 22, 2013
ISBN: 978-0-9910076-0-8
Page Count: 784
Publisher: Three Greyhounds
Review Posted Online: Feb. 6, 2014
Kirkus Reviews Issue: March 1, 2014
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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