A breath of fresh air in its beauty and simplicity.
A retelling of an old Chinese folk tale emphasizes the goodness of its protagonist.
Young Tuan was orphaned as a little boy and raised by kindly neighbors who, when he is old enough, hire a matchmaker for him. The first match is no good, as their zodiacal symbols clash; the second founders on symbolic disagreement between their name characters. The third looks promising symbolically, but Tuan is just “too poor for her parents to approve.” Gathering cabbages by moonlight, Tuan spots a large snail and brings it home, keeping it in a jar and feeding it cabbage leaves. Over each of the next several days, Tuan arrives home to find his table set with a delicious dinner on it. Curious, he comes home early the next evening to discover a beautiful woman emerging from the snail’s jar; sent by the Lord of Heaven to look after him until he marries, she must now leave as she may not be gazed upon by mortals—but she leaves her shell behind, and it never runs out of rice. Hsyu’s retelling has a folkloric simplicity, planting just enough details to ground readers in the traditional tale. Pak’s mixed-media illustrations evoke a misty, long-ago agrarian China, his expressive, angular faces contrasting pleasingly with fluid, lovingly created backdrops. Although there is a concluding note on Chinese calligraphy, there is nothing to source the story itself.
A breath of fresh air in its beauty and simplicity. (Picture book/folk tale. 3-7)Pub Date: Nov. 11, 2014
ISBN: 978-1-909263-41-3
Page Count: 32
Publisher: Flying Eye Books
Review Posted Online: Oct. 5, 2014
Kirkus Reviews Issue: Oct. 15, 2014
This extraordinary book will make it hard for any child reader to settle for the mundaneness of reality.
A testament to the power of an imaginative mind.
A compulsively creative, unnamed, brown-skinned little girl with purple hair wonders what she would do if the pencil she uses “to create…stories that come from my heart” disappeared. Turns out, it wouldn’t matter. Art can take many forms. She can fold paper (origami), carve wood, tear wallpaper to create texture designs, and draw in the dirt. She can even craft art with light and darkness or singing and dancing. At the story’s climax, her unencumbered imagination explodes beyond the page into a foldout spread, enabling readers both literally and figuratively to see into her fantasy life. While readers will find much to love in the exuberant rhyming verse, attending closely to the illustrations brings its own rewards given the fascinating combinations of mixed media Curato employs. For instance, an impressively colorful dragon is made up of different leaves that have been photographed in every color phase from green to deep red, including the dragon’s breath (made from the brilliant orange leaves of a Japanese maple) and its nose and scales (created by the fan-shaped, butter-colored leaves of a gingko). Sugar cubes, flower petals, sand, paper bags, marbles, sequins, and lots more add to and compose these brilliant, fantasy-sparking illustrations.
This extraordinary book will make it hard for any child reader to settle for the mundaneness of reality. (Picture book. 3-7)Pub Date: April 3, 2018
ISBN: 978-0-316-39096-5
Page Count: 40
Publisher: Little, Brown
Review Posted Online: Jan. 12, 2018
Kirkus Reviews Issue: Feb. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Emergent readers will like the humor in little Pip’s pointed requests, and more engaging adventures for Otto and Pip will be...
In his third beginning reader about Otto the robot, Milgrim (See Otto, 2002, etc.) introduces another new friend for Otto, a little mouse named Pip.
The simple plot involves a large balloon that Otto kindly shares with Pip after the mouse has a rather funny pointing attack. (Pip seems to be in that I-point-and-I-want-it phase common with one-year-olds.) The big purple balloon is large enough to carry Pip up and away over the clouds, until Pip runs into Zee the bee. (“Oops, there goes Pip.”) Otto flies a plane up to rescue Pip (“Hurry, Otto, Hurry”), but they crash (and splash) in front of some hippos with another big balloon, and the story ends as it begins, with a droll “See Pip point.” Milgrim again succeeds in the difficult challenge of creating a real, funny story with just a few simple words. His illustrations utilize lots of motion and basic geometric shapes with heavy black outlines, all against pastel backgrounds with text set in an extra-large typeface.
Emergent readers will like the humor in little Pip’s pointed requests, and more engaging adventures for Otto and Pip will be welcome additions to the limited selection of funny stories for children just beginning to read. (Easy reader. 5-7)Pub Date: March 1, 2003
ISBN: 0-689-85116-2
Page Count: 32
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2003
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