This perceptive novel about a complex friendship between two women resonates as broadly as it does deeply.
A new mother with a successful career and her babysitter form an unlikely bond in a small college town.
Elisabeth, one of the protagonists of Sullivan’s latest novel, has just moved with her husband, Andrew, and baby, Gil, from brownstone Brooklyn to a remote college town 250 miles away—or as she tells her New York City friends, upstate, “but not, like, cool upstate.”A successful journalist and author, she misses her old friends and community—although she still compulsively devours the postings on her old neighborhood parent listserv—and hasn’t been able to compel herself to make new ones, secretly suspecting she won’t like the other women in her town. Eventually she finds a confidante and companion in Sam, a student at the nearby women’s college whom she hires as Gil’s babysitter. Unlike Elisabeth, who comes from a family as wealthy and privileged as it is dysfunctional, Sam, an aspiring artist with an older British boyfriend who may be a threat to her career ambitions, comes from a big, warm, middle-class family and is funding her college education through a scholarship, a cafeteria work-study job, student loans, and off-campus child care work. The inequity in the two women’s relationship and status is mostly lost on Elisabeth but not on Sam. But Sam, who finds common cause with Elisabeth’s father-in-law in fighting for the overlooked and economically disadvantaged, has her own blind spots in relation to the women she works alongside in her dorm cafeteria. When both Elisabeth and Sam meddle in other people’s lives with the best intentions, well, suffice it to say that things don’t go precisely as they had hoped. Sullivan, whose bestselling work includes Saints for All Occasions (2017), writes with empathy for her characters even as she reveals their flaws and shortcomings. And while the story she tells focuses primarily on two women from different backgrounds and at different stages of life, it also illuminates broader issues about money, privilege, and class; marriage, family, and friendship; and the dueling demands of career and domesticity with which many women struggle.
This perceptive novel about a complex friendship between two women resonates as broadly as it does deeply.Pub Date: June 23, 2020
ISBN: 978-0-525-52059-7
Page Count: 416
Publisher: Knopf
Review Posted Online: March 29, 2020
Kirkus Reviews Issue: April 15, 2020
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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