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THE OTHER MADAME X

A haunting exploration of secrets and their consequences.

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After her husband suddenly vanishes in Bangkok, a woman discovers his lurid secret life in this novel.

Catherine Carlyle is in Singapore for work, anxiously waiting for her “fussy” husband, David, a “man of precise routine,” to arrive from Bangkok. But he never materializes, and she quickly finds out that he never even boarded the plane. When the police start an investigation into his disappearance, they obliquely suggest David was familiar with the more salacious entertainments in Bangkok, and those disreputable inclinations might have something to do with his vanishing. When Catherine begins her own search with a friend, her entire conception of David shockingly unravels—she discovers he did in fact frequent underground sex dens and that he has earned a reputation that leaves her enveloped by shame: “When they’d first set out, she had no idea what to expect—perhaps she’d find that David had never been to any of these places. But that was not the case. He’d not just been there, he’d been there enough to be remembered, and even expelled. She needed no more witness to her disgrace.” In addition, she learns that he has been charged with embezzling tens of millions of dollars from powerful and potentially dangerous people. And to make matters even worse, she finds an American passport with David’s picture but a different name—she realizes that she has no idea who she married.

Banta constructs a tantalizingly suspenseful tale that raises provocative questions about not only David’s identity, but Catherine’s as well. The story artfully unfurls without delay or haste—the author furnishes just enough information to keep readers riveted but not so much to sate their curiosity for more. The author never gives away too much too soon. Catherine turns out to be a grippingly complex character—initially docile and trusting, she eventually reveals herself to be in possession of her own deep reservoir of strength as well as her own moral eccentricities. Banta deftly portrays Catherine’s peculiar predicament—she can’t bear to learn more about David’s sordid clandestine life, but she also can’t find solace in oblivion: “The darker possibilities were beginning to root themselves in her imagination. She knew her primary concern really ought to be where David was right at that moment. But she couldn’t let it go.” For the most part, the author’s prose is poetically unadorned, plain and straightforward, but there is a power in this brand of simplicity, a style that lets the dramatic facts speak for themselves. The ending of the book—intended as explosively climactic—is disappointing in relation to the rest of the novel; it’s superfluously complex as well as theatrically melodramatic. The impressive authorial restraint inexplicably disappears and is replaced by an entangled skein of emotional hyperbole. Still, the tale is so captivating that readers will forgive its deflated conclusion.

A haunting exploration of secrets and their consequences.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: Manuscript

Review Posted Online: Sept. 24, 2023

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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PECK & PECK

Mostly charming, sometimes twee, with some really lovely things to say about poetry.

And now for some lessons in poetry and typesetting.

After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.

Mostly charming, sometimes twee, with some really lovely things to say about poetry.

Pub Date: Oct. 13, 2026

ISBN: 9781668251065

Page Count: 432

Publisher: Scribner

Review Posted Online: July 6, 2026

Kirkus Reviews Issue: Aug. 1, 2026

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