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WAR IN THE MOUNTAINS

THE MACBETH LIGHT ARTILLERY AT ASHEVILLE NC: 1864-1865

An exhaustively detailed account of the movements of the Macbeth men, as told from their point of view.

A detailed history of a Confederate artillery unit.

In his nonfiction debut, Askew reflects on how he was first inspired to write a history of the Macbeth Light Artillery unit during the Civil War, due to his familiarity with his own family history: His great-grandfather had fought in the conflict and received a severe head injury—and, according to family lore, he’d been saved by a doctor who’d placed a silver dollar in the hole in his skull. The author eventually came to believe that much of what he’d learned about the Civil War was “half-truth and myth.” While doing some research, Askew came across a cache of newspaper articles that were pseudonymously written by Lt. Hazel Furman Scaife, a veteran of the Macbeth Light Artillery. After reading Scaife’s comment that the “Macbeth Light Artillery has an unwritten history that must be wrested from oblivion by the surviving members of the company,” the author decided to take it upon himself to write this history. The book offers a detailed account of the unit as it traveled around the Asheville, North Carolina, area in the last year of the war. Askew follows the men on boring marches, during their encampments in town and field, and into combat, always paying attention to the men’s moods and the weather. Askew also consistently echoes the point of view of his principal source: “Most stories of conflict depict good against evil, protagonists versus antagonists,” the author writes at one point. “While these concepts are blurred in war, the Confederates in Western North Carolina knew the villain in the drama being played in the mountains and his name was [Union Army Col.] George W. Kirk.”

The intensely local flavor is one of the book’s more notable qualities, as is Askew’s skill at bringing the day-to-day life of an artillery unit to life. Time and again, thanks to the author’s granular research, readers will feel as if they’re standing right there with the men of the Macbeth: “They followed an old mill road, quite steep and rugged and after struggling with the cannons to the mountain top had to secure the gun carriages with ropes gripped by teams of men holding the conveyances in check ‘to keep them from running over the horses.’ ” Askew thoughtfully adds an overlay of historical awareness to the account—noting, for example, the moment that the disbanded Confederate soldiers pass the Cowpens, a battle site where, as the author puts it, the soldiers’ “dreams of Southern Independence had been crushed.” His extensive research appears sound and careful, and his book joins a large bookshelf of similarly specific regimental histories. Readers of such histories will note Askew’s own argumentative stances on larger Civil War issues, and many will take issue with them; he asserts, for instance, that “slavery was an important factor in the War Between the States, [but] it was not the definitive cause of the conflict,” which he sometimes refers to as “WBTS.”

An exhaustively detailed account of the movements of the Macbeth men, as told from their point of view.

Pub Date: Dec. 30, 2020

ISBN: 978-1-64468-576-1

Page Count: 536

Publisher: Covenant Books

Review Posted Online: March 3, 2020

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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THE LOOK

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

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A coffee-table book celebrates Michelle Obama’s sense of fashion.

Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.

Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.

Pub Date: Nov. 4, 2025

ISBN: 9780593800706

Page Count: 304

Publisher: Crown

Review Posted Online: Nov. 7, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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