by J. Michael Lennon ‧ RELEASE DATE: Oct. 15, 2013
Detailed and anecdotal without being gossipy (a yarn concerning a nicotine-addicted cat notwithstanding) and a must-read for...
Appropriately sprawling biography of the larger-than-life writer, brawler, provocateur and bon vivant.
Norman Mailer (1923–2007), writes archivist and authorized biographer Lennon, grew up in a reasonably happy family, with a strong mother and dapper father, who, as Mailer wrote, “had the gift of speaking to each woman as if she was the most important woman he’d ever spoken to.” Mailer himself was fairly obsessed with women, though his quest was often thwarted—as he recalled, particularly at Harvard, where he served something of an apprenticeship. Mailer came into adulthood with a noticeable chip on his shoulder and some well-aired grievances, and he kept the pattern up throughout a long and productive life. As Advertisements for Myself (1959) proclaimed, for instance, he maintained running feuds and rivalries with all manner of writers—and, as Lennon reveals, even took Ernest Hemingway by the horns, occasioning an apology from Papa some years later. He also battled editors and critics from the start, though Hemingway helpfully instructed on the matter of reviews, “Try for Christ sake not to worry about it so much. All that is poison.” Lennon ably reveals the always-contentious Mailer but also a man who could be generous and very smart. Lennon is also a shrewd literary critic, commenting on the origins and fortunes of Mailer’s works, notably his study of Marilyn Monroe, which laid bare “his narcissism, born of early spectacular success.” Mailer possessed an outsized ego well before then, of course, but the point remains: Though he seems to be little read now, Mailer was of central importance in postwar American writing, as he would have been glad to tell you.
Detailed and anecdotal without being gossipy (a yarn concerning a nicotine-addicted cat notwithstanding) and a must-read for students and admirers of Mailer’s work.Pub Date: Oct. 15, 2013
ISBN: 978-1-4391-5019-1
Page Count: 928
Publisher: Simon & Schuster
Review Posted Online: Aug. 3, 2013
Kirkus Reviews Issue: Aug. 15, 2013
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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