A triumphant tale of surviving abuse, embracing hockey, and finding love.
A teenage athlete strives to overcome a traumatic past in this debut novel.
Phoebe Rose confronts adolescence having no idea who she is. Found at age 4 wandering around her Ohio neighborhood, she’s been raised in a series of foster homes. Maintaining a sense of normalcy in the wake of such upheaval remains difficult, so Phoebe dedicates herself to hockey from a young age. The game has been there when so many of the adults in her life have failed her. A few of her foster parents have been kind (especially the Wilsons, who she hoped could adopt her but were denied permission because they were black and she was white), but mostly, Phoebe has suffered throughout her childhood. Her last foster father, Mr. Jenkins, an evangelical with a mean streak, beat her repeatedly and raped her. When Phoebe sets off for a Minnesota college with a dream to play on its women’s hockey team, she vows to keep her physical and emotional scars to herself. After Phoebe makes the team, she quickly learns that she no longer needs to “keep surviving”—she can be a whole person again. Slowly opening up to her fellow players, Phoebe not only confesses the ordeals of her past life, but also discovers a safe space within the confines of the team. As time passes, Phoebe’s teammates help her to find both love and peace within herself. Neal’s decision to explore Phoebe’s life in a series of flashbacks and flash-forwards is jarring at first—it takes the reader a while to figure out the timeline. But this strategy turns out to be a brilliant stroke of storytelling—it makes the reader feel as disjointed and uncomfortable as Phoebe does. Neal’s plot covers a lot of ground—Phoebe has been abandoned and mistreated while dealing with a chromosomal disorder and questioning her sexuality. Although this could, quite frankly, feel a bit depressing, Neal’s emotionally gripping narrative anchors Phoebe’s problems and prevents them from drifting too far into weepiness. Though most readers have not shared Phoebe’s trials, all should relate to her struggles—they would do well to absorb her story slowly, savoring both her pain and exultant promise.
A triumphant tale of surviving abuse, embracing hockey, and finding love.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Melancholy Donkey Press
Review Posted Online: Dec. 30, 2015
Kirkus Reviews Issue: Feb. 1, 2016
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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