A heart-pounding novel made heart-rending by its reflection of real-life events.
A girl trapped in a cult and a mother with a tragic past are set on a collision course.
Freya Heywood lives about an hour outside of Melbourne with her young son, Billy. She can fit in with the other school moms well enough: She teaches yoga, drives a Land Rover. But nearly 20 years ago, Freya was involved in an incident that caused her to permanently lose custody of her first child. And this isn’t her only secret, either. Freya manages to keep her past at bay with panic buttons and top-notch security, but there are signs that danger is encroaching on her life with Billy: strangers near her house, tokens left on her doorstep. Near Freya’s property, Amy is one of almost a dozen children and teens living at the Clearing as part of a New Age group modeled closely on the chilling case of The Family, a cult active in Australia in the 1960s and '70s. Amy and her “siblings” are given little food, punished in horrific ways, and sexually abused. But they believe in the power of their leader, Adrienne, and they will do anything to help her “liberate a child from the world outside” to complete their circle. Pomare runs Amy's and Freya’s narratives in parallel until, little by little, they begin to intersect in increasingly spine-tingling ways. Pomare’s taciturn narration can sometimes mean the characters’ inner lives are locked away from readers, and the characters as a result can feel a bit hazy. Overall, though, Pomare’s deft plotting tempers the difficult-to-bear passages of cult life, and in keeping his narrative cards close to his chest, Pomare is able to pull off red herrings galore and crafty, satisfying twists.
A heart-pounding novel made heart-rending by its reflection of real-life events.Pub Date: Sept. 8, 2020
ISBN: 978-0-31646-294-5
Page Count: 336
Publisher: Little, Brown
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.
Character assassination reigns supreme, if not uncontested, in a Long Island suburb.
April Masterson loves her husband, corporate attorney Elliott; their 7-year-old, Bobby; and her YouTube channel, “April’s Sweet Secrets.” What she doesn’t love is whoever’s texting her warnings about how Bobby isn’t really in their backyard while she’s busy filming her videos or withering critiques of her baking show or veiled accusations about her past and threats about her present. Her best friend, former prosecutor Julie Bressler, may be bossy and opinionated, but surely she’d never turn on April this way. Who else might know enough to send April goodies like a picture of her kissing Mark Tanner, Bobby’s soccer coach? Though April struggles to get Elliot to take her ordeal seriously, even when she shows up at his office for a lunch date, he’s protected by his receptionist, Brianna Anderson, whose attachment to her boss goes far beyond loyalty. Then Julie turns on her; Maria Cooper, her friendly new next-door neighbor, turns on her; and in the most mind-boggling scene, Doris Kirkland, April’s mother, whose dementia has brought her to a nursing home, turns on her. McFadden releases an escalating series of toxins so deftly into the suburban atmosphere that it’s practically an anticlimax when someone gets killed and April instantly becomes the prime suspect. But that’s only a setup for the tale’s boldest move: switching its narrator from April to a fair-weather friend who frames the whole nightmare in dramatically different terms. As a special gift to her savviest fans, the author throws in an even more jolting epilogue that’s as hard to forget as it is to believe.
Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.Pub Date: March 3, 2026
ISBN: 9781464249600
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: Dec. 6, 2025
Kirkus Reviews Issue: Jan. 15, 2026
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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