Not wholly successful, but, still, a significant achievement and a worthy addition to the growing body of contemporary...
A gripping contemporary equivalent of O.E. Rolvaag’s sagas of hard luck on the Great Plains.
Grant Person leaves home shortly after WWII, hoping to escape the guilt he feels about the dead brother who went to war in his place. He works for a time in Atlantic City and then at sea before returning to what is left of his family’s woebegone Montana ranch. His father has vanished; his mother is dead; his brother Max stays long enough to tell Grant he’s leaving, then goes off to New York to paint. Grant finds himself alone with a few hundred head of sheep and some doleful hired hands. Using the money saved from his time at sea, he pays the accumulated debts and tries to make a go of it. Lennon (The Light of the Falling Stars, 1997) beautifully describes the despair his characters feel at their nearly hopeless enterprise, and he renders the boredom of life on the ranch in prose that is both realistic and lyrical. Eventually, Max returns with a girl named Sophia, and they set up housekeeping with Grant. In time, tensions emerge as Grant and Sophia fall tentatively in love. Lennon skillfully integrates these interpersonal conflicts with the protagonists’ larger problem of trying to make the ranch work as a business that will support them all. Sheep get lost and die; the brothers fight, go their separate ways, and then come together in a final trip that ends in a gruesome drowning. The author works hard at his characters, but can’t completely solve the problem of making these inarticulate people plausibly reveal themselves. Nonetheless, few will be unmoved by the sere ending, which finds Grant, aged and alone, the self-appointed curator of his brother’s artistic estate.
Not wholly successful, but, still, a significant achievement and a worthy addition to the growing body of contemporary western literature.Pub Date: Aug. 8, 2001
ISBN: 0-8050-6722-1
Page Count: 256
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2001
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
