A shapeless but engaging portrayal of its underachieving protagonist and narrator is the best feature of this bittersweet second novel by Lennon (The Light of Failing Stars, 1997). Unsuccessful artist Tim Mix returns home (Riverbank, New Jersey) for the funeral of his father Carl, a successful cartoonist whose popular “Family Funnies” strip had exploited his own family’s life. And that’s the problem: Carl’s widow Dorothy is in a nursing home suffering from “senile dementia”; their five children all inhibiting guilts and neuroses—notably, Tim’s uptight older brother Bobby and younger brother Pierce, a paranoid schizophrenic who seldom leaves the house. As the Mixes, uh, mix, reestablishing their essential (and mutual) unconcern, Tim contrarily finds himself drawn away from the independence he had created, and back into the orbits of his family and his father’s legacy. He inherits the opportunity to take over “Family Funnies,” and is feted by his hometown at a (hilarious) “Funny Fest” that celebrates Carl Mix’s fame (the town even renames itself “Mixville”). The story charts Tim’s imperfect adjustments to such temptations and distractions, as well as his relationships with Brad Wurster, the choleric artist who tutors him; Ken Dorn, the sinister rival cartoonist who has designs on “Family Funnies”; and Susan Lennon Caletti, his father’s editor, and, just possibly, the new woman in Tim’s life. Overall, it’s an uneven performance: Lennon’s prose (skillfully rendering Tim’s alert, wary sensibility) is witty and observant, studded with odd, often truculent imagery (“She had the long blotchy nose of a border collie and cheeks sunken enough to eat soup out of”), while his characterizations vary from, well, cartoonish to precise and affecting (the destroyed Dorothy and jittery Pierce are especially vivid). Tim Mix’s gradual transformation from passivity to involvement and accomplishment is his story’s wistful core. If you believe in it, you’ll like Lennon’s novel.
Pub Date: Feb. 15, 1999
ISBN: 1-57322-126-0
Page Count: 304
Publisher: Riverhead
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 1998
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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