An unconventional but consistently absorbing multigenre tale.
In Bishop’s (Red-Line: Trust Destiny, 2015, etc.) mystery/thriller series starter with supernatural elements, a reporter helps a man who believes a curse has been killing his lovers.
Grayson Steele and his best friend, Cooper Stone, started a software company that made them millionaires. But Grayson, who rarely leaves his beachfront house on Sea Island, is miserable. Back in high school, one of his friends, Joanie, died from an apparent suicide. Her mother was so distraught that, at Joanie’s funeral, she wished the pain of losing a loved one on all her daughter’s friends. She pointed specifically at Grayson, who became certain that the woman had cursed him. Since then, every time he’s intimate with a woman whom he loves, she dies three days later. Gillian Fletcher is a reporter who hopes to write an article about the reclusive millionaire, and it soon becomes clear (to readers, at least) that she’s prodding Grayson for information on his deceased lovers. She has a theory that it’s not a curse that’s killing the women but a person, although she doesn’t know their motive. She makes an offer to Grayson to feign a sexual relationship with him in order to ensnare the killer. But Grayson soon learns that the reporter is harboring an incredible secret. Bishop’s novel is two books in one: a murder mystery, which reaches an early resolution, followed by a reveal about Gillian that results in a very different kind of story. Readers who’ve already read Bishop’s preceding trilogy will be in familiar terrain, but for others, it will be a somewhat jarring genre shift. Nevertheless, there’s romance and suspense throughout as Grayson and Gillian succumb to their mutual attraction and occasionally find themselves in mortal peril. Lengthy scenes play out with copious dialogue, but they entail engaging discussions about murder suspects or the particulars of Gillian’s family. During action scenes, however, the author truly delivers; in one tension-ridden sequence, Gillian hides from a threat, “her breathing coming in short shallow gasps. Her heart hammered and her side burned from exertion.”
An unconventional but consistently absorbing multigenre tale.Pub Date: Oct. 6, 2016
ISBN: 978-0-692-77840-1
Page Count: 402
Publisher: Time Tunnel Media
Review Posted Online: Jan. 18, 2019
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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