Dizzying changes of locale and point of view, along with large helpings of sentimentality, weaken Ali’s latest. If only...
An ex-reporter, a high-tech specialist and a nun help right wrongs of the near and distant past as they circle the globe.
Even though Ali Reynolds (Deadly Stakes, 2013, etc.) is a grandmother, she intends to get married in style. She doesn’t come to England with her major-domo Leland Brooks just to shop for a wedding gown, however: She hopes to see Leland reunited with his estranged family while she tries to find out if Leland’s late father had a little help in dying. Ali’s fiance, B. Simpson, head of a computer security company, is following the case of Lance Tucker. A former honors student and computer whiz at a Texas high school, Lance was recently released from juvenile detention after an accident that broke both his legs and gave him second-degree burns. Simpson, who was partly responsible for sending Lance to juvie when the boy was caught hacking into his school’s computer system, feels guilty and wants to lend a hand. For starters, he has Sister Anselm appointed as Lance’s patient advocate. The murder of another advocate for the teenager unites Ali, Simpson and Sister Anselm in trying to protect Lance, who’s developed a computer application that may be worth more than his life.
Dizzying changes of locale and point of view, along with large helpings of sentimentality, weaken Ali’s latest. If only Jance had focused on one plot instead of sending her characters all over creation in pursuit of two separate mysteries.Pub Date: Feb. 18, 2014
ISBN: 978-1-4767-4500-8
Page Count: 320
Publisher: N/A
Review Posted Online: Jan. 3, 2014
Kirkus Reviews Issue: Jan. 15, 2014
Magnificent writing, nonetheless, makes the best case yet for putting McCarthy on a pedestal just below the one occupied by...
Almost as frustrating as it is commanding, McCarthy’s ninth (and first since the completion of his Border Trilogy: Cities of the Plain, 1998, etc.) is a formidable display of stunningly written scenes that don’t quite cohere into a fully satisfying narrative.
It’s a bleak chronicle of murder, revenge and implacable fate pocked with numerous echoes of McCarthy’s great Blood Meridian (1985). Here, the story’s set in 1980 in southern Texas near the Mexican border, where aging Sheriff Bell, a decorated WWII veteran, broods heroically over the territory he’s sworn to protect, while—in a superb, sorrowful monologue—acknowledging the omnipresence of ineradicable evil all around him. Then the focus trains itself on Vietnam vet Llewellyn Moss, a hunter who stumbles upon several dead bodies, a stash of Mexican heroin and more than $2 million in cash that he absconds with. The tale then leaps among the hunted (Moss), an escaped killer (Anton Chigurh), whose crimes include double-crossing the drug cartel from which the money was taken, the Army Special Forces freelancer (Carson Wells) hired by druglords and—in dogged pursuit of all the horrors spawned by their several interactions—the intrepid, however flawed and guilty, stoical Sheriff Bell: perhaps the most fully human and sympathetic character McCarthy has ever created. The justly praised near-biblical style, an artful fusion of brisk declarative sentences and vivid, simple images, confers horrific intensity on the escalating violence and chaos, while precisely dramatizing the sense of nemesis that pursues and punishes McCarthy’s characters (scorpions in a sealed bottle). But this eloquent melodrama is seriously weakened by its insufficiently varied reiterated message: “if you were Satan . . . tryin to bring the human race to its knees, what you would probably come up with is narcotics.”
Magnificent writing, nonetheless, makes the best case yet for putting McCarthy on a pedestal just below the one occupied by William Faulkner.Pub Date: July 25, 2005
ISBN: 0-375-40677-8
Page Count: 352
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
IN THE NEWS
Box handles this foolproof formula with complete assurance, keeping the pot at a full boil until the perfunctory,...
The creator of Wyoming Fish and Game Warden Joe Pickett (Breaking Point, 2013, etc.) works the area around Yellowstone National Park in this stand-alone about a long-haul trucker with sex and murder on his mind.
The Lizard King, as he calls himself, normally targets lot lizards—prostitutes who work the parking lots adjacent to the rest stops that dot interstate highways. But he’s more than happy to move up to a higher class of victim when he runs across the Sullivan sisters. Danielle, 18, and Gracie, 16, are supposed to be driving from their mother’s home in Denver to their father’s in Omaha, but Danielle has had the bright idea of heading instead to Bozeman, Mont., to visit her boyfriend, Justin Hoyt. Far from home, their whereabouts known to only a few people, the girls are the perfect victims even before they nearly collide with the Lizard King’s rig and Danielle flips him off. Hours later, very shortly after he’s caught up with them in the depths of Yellowstone and done his best to eradicate every trace of his abduction, Justin, worried that Danielle refused his last phone call, tells his father that something bad has happened. Cody Hoyt, an investigator for the Lewis and Clark County Sheriff’s Department, is already having a tough day: At the insistence of his crooked boss, Sheriff Tubman, his longtime student and new partner, Cassandra Dewell, has just caught him planting evidence in an unrelated murder, and he’s been suspended from his job. If he’s lost his badge, though, Cody’s got plenty of time on his hands to drive downstate and meet with State Trooper Rick Legerski, the ex-husband of his dispatcher’s sister, to talk about what to do next. And so the countdown begins.
Box handles this foolproof formula with complete assurance, keeping the pot at a full boil until the perfunctory, anticlimactic and unsatisfactory ending.Pub Date: July 30, 2013
ISBN: 978-0-312-58320-0
Page Count: 400
Publisher: Minotaur
Review Posted Online: July 6, 2013
Kirkus Reviews Issue: July 15, 2013
BOOK TO SCREEN
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