A sharp vision that challenges readers to shift perspective and examine conventional narratives.
A collection of essays that go wide and deep into the black experience in America.
As a former editor and columnist for the Washington Post and editor-in-chief of the NAACP’s The Crisis, Asim (A Taste of Honey, 2009, etc.) brings an impressive breadth of experience to these pieces. He places current events within the context of a legacy that is literary, political, and cultural as well as racial, with a voice that is both compelling and convincing. “In ideal circumstances, the human body flows in a state of strut,” he writes of the body confidence that white people too often find menacing in black males. “A jauntiness, an ease. A response to the rhythms that animate the earth….Strut is the body in motion, occupying, manipulating and moving through space. Strutting requires freedom, the liberty to flex and stretch.” This prose struts in an inherently musical way that also seems integral to the black experience as the author delineates its rhythms. Some of these pieces are more ambitious than others and pack more of a punch—particularly “Getting It Twisted” and “The Elements of Strut” as well as the concluding “Of Love and Struggle: The Limits of Respectability,” which counters Michelle Obama’s strategy of going high when they go low. Others are slighter, such as one on black representation in children’s literature, or more personal, like “Color Him Father,” about Asim’s family. Perhaps most problematic is the longest essay, “The Thing Itself,” which ultimately offers a nuanced illumination of cultural appropriation but spends too much space on the old battle over William Styron’s The Confessions of Nat Turner. Nonetheless, the author shows throughout how the past informs the present and how age-old fears and prejudices present themselves in new guises.
A sharp vision that challenges readers to shift perspective and examine conventional narratives.Pub Date: Oct. 16, 2018
ISBN: 978-1-250-17453-6
Page Count: 208
Publisher: Picador
Review Posted Online: Aug. 12, 2018
Kirkus Reviews Issue: Sept. 1, 2018
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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