Well up to the high standards established by this intriguing series.

GUARDIAN

From the Lost Fleet series , Vol. 9

Continuing the deep-space adventures of Adm. John "Black Jack" Geary and company (Invincible, 2012, etc.).

Having fought off the alien Kicks and captured one of their colossal battleships, renamed Invincible, and acquiring allies in the form of the alien Dancers, Geary is ready to return with his battered fleet to the Alliance home worlds. But first they must pass through the Midway star system, where ex-CEOs Iceni and Drakon have defeated the remnants of the Syndic loyalists. Unfortunately, it appears that the Syndics have invented a method of switching off the hyperspace gates necessary for rapid transit, necessitating a tiresome series of jumps through star systems where the Syndic Empire still clings to power. While theoretically the Alliance is no longer at war with the Empire, the latter is keen to do everything in its power to annoy, harass, threaten and otherwise disrupt Geary’s passage. The Syndics’ secondary objective is to capture or destroy Invincible which, though packed with potentially invaluable alien technology, is presently an inert hulk requiring most of Geary’s own battleships to tow it. The vast ship is also haunted by ghosts that, while intangible, are psychically all too real. Once again, the visceral action comes fast and furious as the fleet attempts to evade or disrupt the traps the Syndics have laid. Geary proves a model commander, prone to doubts and moments of weakness, refreshingly willing to be advised by his subordinates, especially his wife, Tanya Desjani, who captains his flagship, and Emissary Victoria Rione, whose sharp political skills will prove invaluable.

Well up to the high standards established by this intriguing series.

Pub Date: May 7, 2013

ISBN: 978-0-425-26050-0

Page Count: 416

Publisher: Ace/Berkley

Review Posted Online: April 14, 2013

Kirkus Reviews Issue: May 1, 2013

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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With its bug-eyed monsters, one might think Dune was written thirty years ago; it has a fantastically complex schemata and...

DUNE

This future space fantasy might start an underground craze.

It feeds on the shades of Edgar Rice Burroughs (the Martian series), Aeschylus, Christ and J.R. Tolkien. The novel has a closed system of internal cross-references, and features a glossary, maps and appendices dealing with future religions and ecology. Dune itself is a desert planet where a certain spice liquor is mined in the sands; the spice is a supremely addictive narcotic and control of its distribution means control of the universe. This at a future time when the human race has reached a point of intellectual stagnation. What is needed is a Messiah. That's our hero, called variously Paul, then Muad'Dib (the One Who Points the Way), then Kwisatz Haderach (the space-time Messiah). Paul, who is a member of the House of Atreides (!), suddenly blooms in his middle teens with an ability to read the future and the reader too will be fascinated with the outcome of this projection.

With its bug-eyed monsters, one might think Dune was written thirty years ago; it has a fantastically complex schemata and it should interest advanced sci-fi devotees.

Pub Date: Oct. 15, 1965

ISBN: 0441013597

Page Count: 411

Publisher: Chilton

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Oct. 1, 1965

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