A panoramic, unforgettable rendering of “the long fade of strangulation.”
The potency of the noose—as device, spectacle and ritual—laid raw and bare.
Shuler (American Literature and Black Studies/Denison Univ.; Blood and Bone: Truth and Reconciliation in a Southern Town, 2012, etc.) makes the hangman’s knot and death by hanging transfixing but agonizing reading: the rope with its wicked cultural baggage and the act so barbaric yet so widespread and enduring. Much of the sting of this work comes from the extensive literature on the subject, which Shuler has distilled into an infusion as bitter as hemlock. In 1940, the Tuskegee Institute wrote that a lynching “occurs when three or more people kill someone illegally and when the killers claim they were serving justice, race, or tradition.” The knots alone have a magical, talismanic power, while the spectacle of a hanging, judicial or extrajudicial, is a cruel demonstration of power, “the ritual reenactment of community values and norms...a grand act of education and, possibly, indoctrination.” In the United States, it was—and is, if less pronouncedly—an indiscriminate act, claiming men, women and children of all races, creeds and persuasions, though few will protest, certainly since the witch trials, that it has also been a piece of “ ‘folk pornography’...the ‘ideal’ white woman against the ‘villainous’ black man” or, to widen the scope, that “black people must be controlled, and lynching is one way to do it.” This is trafficked ground, and Shuler does not claim it as his own, but he does cut his own path in taking readers to sites and eras in which hangings have had profound impacts—they all, ultimately, do—from the Iron Age Tollund Man to 12-year-old Hannah Ocuish during the Age of Enlightenment to small American towns and backcountry crossroads to John Brown to In Cold Blood. The author also ably explores how deeply etched the noose is to the Native American and African-American consciousnesses.
A panoramic, unforgettable rendering of “the long fade of strangulation.”Pub Date: Aug. 26, 2014
ISBN: 978-1-61039-136-8
Page Count: 368
Publisher: PublicAffairs
Review Posted Online: Aug. 29, 2014
Kirkus Reviews Issue: Oct. 1, 2014
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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