Despite phoned-in thrills, a breathless hurtle to the “explainer” epilogue.



Collins’ 25th is a silver-anniversary sleaze-fest starring “Lady Boss” Lucky Santangelo in a supporting role.

Somewhere around 40-plus (nobody knows how plus), Lucky stopped aging. Long married (by Tinseltown standards) to soul mate Lennie Golden, she’s abandoned movie moguldom and reverted to her roots: ruling Vegas. Her mammoth resort/condo/casino, The Keys, is about to open. But Lucky is preoccupied with the 95th birthday bash she’s hosting for her father, ex-mob boss Gino, at her Bel Air mansion. Elegant hand-delivered missives instructing Lucky to “Drop dead Beautiful” are mere annoyances compared to worries about her teenage daughter Maria, aka Max, who hasn’t returned from a supposed outing with friends in time for Gino’s party. Lucky’s Vegas banker has also disappeared, after a blind date with drug lord Anthony Bonnatti, aka Bonar, grandson of mob matriarch Francesca Bonnatti. Francesca is after Anthony to blow up the Keys and win the long-running (six books so far) Santangelo-Bonnatti blood feud. Leaving the pyrotechnics and banker body disposal to the experts, Anthony must contend with two mistresses who feign orgasms (not that he cares) and whiny wife Irma, a virtual prisoner at his Mexico City villa. After bearing him two children, now spoiled teenagers running designer-shod over their nanny at Bonar’s Miami digs, Irma is of no further use to Anthony. However, lately she’s taken up with a handsome gardener—no feigning required. In a remote cabin, Max is shackled to a bed by a man she met online, Henry Whitfield-Simmons, heir to a fortune—if only his uncooperatively healthy 70ish mother would kick the bucket. Henry blames Lucky for destroying his acting chances when she hired then-unknown Billy Melina to star opposite arch-diva Venus, in an Oscar-magnet director’s new flick. After her harrowing escape, Max is grounded forever, at least until the Keys opening, where the plot lines and characters converge in fireworks galore.

Despite phoned-in thrills, a breathless hurtle to the “explainer” epilogue.

Pub Date: June 26, 2007

ISBN: 978-0-312-34179-4

Page Count: 512

Publisher: St. Martin's

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 1, 2007

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Another success for the publishing phenom.


An abused boy fights back, escapes, then returns as an attorney to his beloved hometown, but just as he’s falling in love with a transplanted landscaper, a series of attacks from shadowy enemies jeopardizes their happiness.

“From the outside, the house in Lakeview Terrace looked perfect.” Which of course means that it wasn't. We're introduced to the horrifying Dr. Graham Bigelow, who beats his wife and, increasingly as the boy gets older, his son, Zane. On the night of Zane’s prom, a particularly savage attack puts him and his sister in the hospital, and his father blames Zane, landing him in jail. Then his sister stands up for him, enlisting the aid of their aunt, and everything changes, mainly due to Zane’s secret diaries. Nearly 20 years later, Zane leaves a successful career as a lawyer to return to Lakeview, where his aunt and sister live with their families, deciding to hang a shingle as a small-town lawyer. Then he meets Darby McCray, the landscaper who’s recently relocated and taken the town by storm, starting with the transformation of his family’s rental bungalows. The two are instantly intrigued by each other, but they move slowly into a relationship neither is looking for. Darby has a violent past of her own, so she is more than willing to take on the risk of antagonizing a boorish local family when she and Zane help an abused wife. Suddenly Zane and Darby face one attack after another, and even as they grow ever closer under the pressure, the dangers become more insidious. Roberts’ latest title feels a little long and the story is slightly cumbersome, but her greatest strength is in making the reader feel connected to her characters, so “unnecessary details” can also charm and engage.

Another success for the publishing phenom.

Pub Date: July 9, 2019

ISBN: 978-1-250-20709-8

Page Count: 448

Publisher: St. Martin's

Review Posted Online: April 14, 2019

Kirkus Reviews Issue: May 1, 2019

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A clever, romantic, sexy love story.

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The much-loved royal romance genre gets a fun and refreshing update in McQuiston’s debut.

Alex Claremont-Diaz, son of the American President Ellen Claremont, knows one thing for sure: He hates Henry, the British prince to whom he is always compared. He lives for their verbal sparring matches, but when one of their fights at a royal wedding goes a bit too far, they end up falling into a wedding cake and making tabloid headlines. An international scandal could ruin Alex’s mother’s chances for re-election, so it’s time for damage control. The plan? Alex and Henry must pretend to be best friends, giving the tabloids pictures of their bromance and neutralizing the threat to Ellen's presidency. But after a few photo ops with Henry, Alex starts to realize that the passionate anger he feels toward him might be a cover for regular old passion. There are, naturally, a million roadblocks between their first kiss and their happily-ever-after—how can American political royalty and actual British royalty ever be together? How can they navigate being open about their sexualities (Alex is bisexual; Henry is gay) in their very public and very scrutinized roles? Alex and Henry must decide if they’ll risk their futures, their families, and their careers to take a chance on happiness. Although the story’s premise might be a fantasy—it takes place in a world in which a divorced-mom Texan Democrat won the 2016 election—the emotions are all real. The love affair between Alex and Henry is intense and romantic, made all the more so by the inclusion of their poetic emails that manage to be both funny and steamy. McQuiston’s strength is in dialogue; her characters speak in hilarious rapid-fire bursts with plenty of “likes,” “ums,” creative punctuation, and pop-culture references, sounding like smarter, funnier versions of real people. Although Alex and Henry’s relationship is the heart of the story, their friends and family members are all rich, well-drawn characters, and their respective worlds feel both realistic and larger-than-life.

A clever, romantic, sexy love story.

Pub Date: June 4, 2019

ISBN: 978-1-250-31677-6

Page Count: 432

Publisher: St. Martin's Griffin

Review Posted Online: March 4, 2019

Kirkus Reviews Issue: March 15, 2019

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