Slight but exquisite, this lovely hybrid will supplement more comprehensive approaches to the topic.
Striking illustrations and lyrical descriptions will please fans of big cats, but this combination of pictures, fiction and facts may not have quite enough substance to inspire repeat readings or engage general readers.
Morris’ beautiful watercolors are clearly the major draw. Starting with a marmalade house cat and moving through a series of nine wild felines, each double-page spread shows a different kind of cat. Individuals, pairs and parent-child combinations appear in a variety of geographic settings. The central premise, that each scene is a dream of the sleeping house cat, feels a smidge predictable, while the repetitive start to each section of text, “I dream…” begins to pall after the first few pages. Another minor quibble is the confusion that may arise from the cat dreaming of being both what appears to be a mother puma with her three cubs and, a few page turns later, a male lion lazing in the sun. Like the paintings, however, the quality of the text is distinctive enough to overcome these weaknesses. One to three sentences poetically describe setting and actions and in some cases allude to specific situations—for example, the endangered status of the Amur leopard. A final double-page spread offers thumbnail paintings of the different cats with miscellaneous facts appended.
Slight but exquisite, this lovely hybrid will supplement more comprehensive approaches to the topic. (Picture book. 4-7)Pub Date: May 9, 2013
ISBN: 978-1-84780-135-7
Page Count: 28
Publisher: Frances Lincoln
Review Posted Online: March 26, 2013
Kirkus Reviews Issue: April 15, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Serve this superbly designed title to all who relish slightly scary stories.
Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.
Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.
Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)Pub Date: Aug. 21, 2012
ISBN: 978-1-4424-0297-3
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: May 1, 2012
Kirkus Reviews Issue: Aug. 1, 2012
Chilling in the best ways.
When a young rabbit who’s struggling in school finds a helpful crayon, everything is suddenly perfect—until it isn’t.
Jasper is flunking everything except art and is desperate for help when he finds the crayon. “Purple. Pointy…perfect”—and alive. When Jasper watches TV instead of studying, he misspells every word on his spelling test, but the crayon seems to know the answers, and when he uses the crayon to write, he can spell them all. When he faces a math quiz after skipping his homework, the crayon aces it for him. Jasper is only a little creeped out until the crayon changes his art—the one area where Jasper excels—into something better. As guilt-ridden Jasper receives accolade after accolade for grades and work that aren’t his, the crayon becomes more and more possessive of Jasper’s attention and affection, and it is only when Jasper cannot take it anymore that he discovers just what he’s gotten himself into. Reynolds’ text might as well be a Rod Serling monologue for its perfectly paced foreboding and unsettling tension, both gentled by lightly ominous humor. Brown goes all in to match with a grayscale palette for everything but the purple crayon—a callback to black-and-white sci-fi thrillers as much as a visual cue for nascent horror readers. (This book was reviewed digitally.)
Chilling in the best ways. (Picture book. 4-7)Pub Date: Aug. 23, 2022
ISBN: 978-1-5344-6588-6
Page Count: 48
Publisher: Simon & Schuster
Review Posted Online: May 24, 2022
Kirkus Reviews Issue: June 15, 2022
PERSPECTIVES
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