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I AM CAT

Slight but exquisite, this lovely hybrid will supplement more comprehensive approaches to the topic.

Striking illustrations and lyrical descriptions will please fans of big cats, but this combination of pictures, fiction and facts may not have quite enough substance to inspire repeat readings or engage general readers.

Morris’ beautiful watercolors are clearly the major draw. Starting with a marmalade house cat and moving through a series of nine wild felines, each double-page spread shows a different kind of cat. Individuals, pairs and parent-child combinations appear in a variety of geographic settings. The central premise, that each scene is a dream of the sleeping house cat, feels a smidge predictable, while the repetitive start to each section of text, “I dream…” begins to pall after the first few pages. Another minor quibble is the confusion that may arise from the cat dreaming of being both what appears to be a mother puma with her three cubs and, a few page turns later, a male lion lazing in the sun. Like the paintings, however, the quality of the text is distinctive enough to overcome these weaknesses. One to three sentences poetically describe setting and actions and in some cases allude to specific situations—for example, the endangered status of the Amur leopard. A final double-page spread offers thumbnail paintings of the different cats with miscellaneous facts appended.

Slight but exquisite, this lovely hybrid will supplement more comprehensive approaches to the topic. (Picture book. 4-7)

Pub Date: May 9, 2013

ISBN: 978-1-84780-135-7

Page Count: 28

Publisher: Frances Lincoln

Review Posted Online: March 26, 2013

Kirkus Reviews Issue: April 15, 2013

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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THE MOST MAGNIFICENT THING

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...

Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.

First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)

Pub Date: April 1, 2014

ISBN: 978-1-55453-704-4

Page Count: 32

Publisher: Kids Can

Review Posted Online: Feb. 25, 2014

Kirkus Reviews Issue: March 15, 2014

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