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DEAR SCOTT, DEAREST ZELDA

THE LOVE LETTERS OF F. SCOTT AND ZELDA FITZGERALD

A boon for general readers as well as literary scholars.

Carefully annotated trove of correspondence between Jazz Age icons.

Scott Fitzgerald met Zelda Sayre in the closing months of WWI, when he was stationed near Montgomery, Alabama. Mutually infatuated, the two soon married. Scott set out on an ambitious campaign to become “one of the greatest writers who ever lived”; not content merely to be a muse, Zelda studied to become a ballerina. All the while they traveled, cavorted, drank, made headlines, and wrote back and forth to each other. This fine collection of letters charts the course of their marriage, from storybook romance to eventual estrangement, the result of Scott’s alcoholism and Zelda’s descent into mental illness. Bryer and Barks (both Literature/Univ. of Maryland) provide useful headnotes and footnotes to the correspondence, which rivals the love letters of Abelard and Heloise in thoughtful billing and cooing while enumerating a range of betrayals and dissatisfactions. The editors suggest that the Fitzgeralds’ marriage was doomed from the outset, given their respective illnesses, but they conclude, taking issue with some biographers, “It is no more reasonable to say that Scott drove his wife mad than it is to say that Zelda drove her husband to drink.” Both spouses emerge from these letters as hardworking, intelligent, damaged people; readers may be surprised by the readiness of Zelda’s wit, even during her years of confinement in mental institutions. (Asking Scott to send books in 1931, for instance, she specifies “not [D. H.] Lawrence and not Virginia Woolf or anybody who writes by dipping the broken threads of their heads into the ink of literary history.”) Some of the letters have been published before; others have been paraphrased or briefly quoted in literary studies and biographies such as Nancy Milford’s now-standard Zelda (1970). To have them all so well presented in one volume is useful indeed.

A boon for general readers as well as literary scholars.

Pub Date: April 1, 2001

ISBN: 0-312-26875-0

Page Count: 432

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2002

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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